Strong characterization marred by video game worldbuilding that’s best enjoyed by non-gamers.
A teenager prefers her life in the MMORPG Garlandía.
Diana, a lesbian recent high school graduate with a Black mom and white dad, barely leaves the apartment. Out in the world, she feels constantly judged and evaluated for her clothing and makeup and belittled for her autism. Online as Lune, she’s an up-and-coming streamer showcasing her gaming skills, and she has friends in fellow players Taurus and Needles (and a persistent troll who shows up to harass her). After the trio finish a difficult mission together with low health, it seems that an undignified death in a blizzard is in store for their characters. Enter Nocht, Garlandía’s top player, who never reveals her real face or voice. Nocht heals them and then asks Lune to join her in a mission. Diana is excited about spending time with her crush and idol but wonders why Nocht is interested in someone who’s playing at a much lower level. Diana’s experiences and relationships are evocative of those of many social outsiders. Refreshingly, while she’s affected by her autism, it’s never treated as something that’s wrong with her. Her portrayal avoids stereotypes, clearly showing that her issues are caused by a world that refuses to make space for her neurodivergence. The game systems of Garlandía are poorly executed, however, with a baffling in-game economy and combat system that will make those in the know flinch.
Strong characterization marred by video game worldbuilding that’s best enjoyed by non-gamers. (Fiction. 14-18)Pub Date: July 9, 2024
ISBN: 9781636796550
Page Count: 240
Publisher: Bold Strokes Books
Review Posted Online: June 13, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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