Enchanting.
Cordelia Clay helps her father, Cornelius, rescue injured and endangered monsters, restoring them to health in the ramshackle family mansion; when her father and the monsters disappear, she sets out to find them.
Gregory, a homeless orphan whose sick zombie puppy—a zuppy—she cured, insists on joining Cordelia’s dangerous quest. The baby dragon with a broken wing and the elderly filch found hidden in the oven can’t be left behind, either, as those aware that monsters do exist advocate exterminating them. Traveling by foot, rail, hot air balloon, and—after Cordelia resolves a pixie infestation—sailing ship, the children flee across Boston, seek out a Manhattan circus featuring monsters, and visit a Nova Scotia university, encountering anxious monsters posing as humans along the way. In this grimy, Dickensian world, an alternate-history Gilded Age, vast wealth coexists with grinding poverty and fear of the other runs deep: Where fear rules, difference is the enemy. Cordelia’s mother, author of a definitive natural history of monsters, held more benign views, convinced that the two evolutionary branches, Animalia (ours) and Prodigia (monsters), were relatives sharing a common origin, but died before proving her theory. While resourceful Cordelia and stalwart Gregory are good company, the monsters are standouts, manifesting, like all animals, unique natural attributes and proclivities (described in a comprehensive guide). Charming or alarming, these creatures and their world, rendered in abundant, imaginative detail, beg for further exploration. (Human characters seem to be White in Aldridge’s woodcutlike illustrations.)
Enchanting. (Fantasy. 8-14)Pub Date: Feb. 11, 2020
ISBN: 978-0-06-234507-3
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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