Friendship at its most whimsical.
A series of hat-centric episodes.
Light-skinned, rotund Gnome and gray, spotted Rat live in a hollowed-out tree stump in the Enormous Forest. The central theme across all five of the stories within this graphic novel is Gnome’s hat and how the titular pair react to it. In the first tale, Gnome celebrates Hat Day (observed in Gnomevember, of course) with a song and a surprise party thrown by Rat (who knows the importance of this momentous occasion). Other stories see Gnome attempting to fit inside the hat, going without the hat, and losing and attempting to replace it. Through it all, Rat is a steadfast and perceptive friend who enjoys spending time with Gnome. They interact with other woodland creatures, such as rabbits, a crow, and a possum. The Enormous Forest, with its trees, mountains, and streams, makes for a colorful, bright setting, and there are plenty of fun gags. The cartoonish artwork is incredibly expressive, whether bringing to life a moment of utter enthusiasm or a wordless nine-panel page depicting Gnome’s coping with a hatless existence. Readers might recognize themselves in Gnome’s single-minded exuberance or Rat’s even-tempered patience. No matter what these two get up to, they always have a good time together.
Friendship at its most whimsical. (a page of creative beard designs for Gnome) (Graphic fiction. 6-9)Pub Date: June 13, 2023
ISBN: 9780593487822
Page Count: 80
Publisher: Knopf
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
BOOK REVIEW
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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