Gonzales travels where few people might want to go, and he brings back wondrous tales. This is more diffuse than his...
Journalist and novelist Gonzales (Lucy, 2010) gathers scattered essays that speak to his current interest as an observer of the human capacity to endure.
The author has expressed that interest in books such as Deep Survival (2003) and Surviving Survival (2012), which make one wonder how our species has lasted as long as it has. “In a sense,” he writes, “my career as a writer has been a long quest for…authenticity. And these essays are a product of that quest.” In the opening essay, Gonzales turns his attention to the federal prison at Marion, Ill., a place that will make readers wonder how anyone survives incarceration—especially among the criminals who are tucked away for safekeeping in this “modern-day replacement for Alcatraz.” It might be enough to lament the fate of those whom society has condemned, but Gonzales digs deeper, making it clear that there is good reason for such facilities but also noting a takeaway: Act tough enough without actually killing or maiming someone, and “the guards finally back off and leave you alone.” That’s good to know, just as it’s good to know how to navigate one’s way around another kind of prison, a mental hospital, which lends Gonzales a poignant closing image: that of inmates “standing in the rain, trying to figure out the right thing to do.” In between, Gonzales visits impenetrable swamps, tightrope walkers, oil rigs, airplane landing strips on the edge of the Arctic Ocean and his own family history—including that adventure that no one wants to have: a bout with cancer.
Gonzales travels where few people might want to go, and he brings back wondrous tales. This is more diffuse than his previous books, but it will be a pleasure for his admirers.Pub Date: Oct. 1, 2013
ISBN: 978-1-55728-999-5
Page Count: 300
Publisher: Univ. of Arkansas
Review Posted Online: Aug. 25, 2013
Kirkus Reviews Issue: Sept. 15, 2013
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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