Sometimes inspiring, sometimes overdone.

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ADRENALINE CRUSH

Raised by her tattoo- and motorcycle-loving parents to take risks, Dyna injures herself in an accident and finds herself emotionally changed.

The opening scene sees Dyna racing through the woods on her mountain bike, speeding across a bridge and kissing the first boy she sees. Her final step, however, is a miscalculation; Dyna shatters her ankle, and the boy, Jay, takes her to the hospital. After the accident, Dyna plays it safe, watching TV at home and hanging out with Jay, who quickly becomes her boyfriend. Her mother, equally thrown (readers never learn how she managed to keep her risk-taking attitude through Dyna’s older brother’s many accidents), enrolls Dyna in a rehab group at the Ulysses Inner Outer Healing Center. There, Dyna meets Pierce, a young veteran who lost a leg saving another soldier and whose intensity and good looks somewhat heavy-handedly encourage Dyna to remember who she is. Never meaningfully addressed here is the dissonance between Dyna’s parents’ encouragement of risk and their sometimes-extreme overprotectiveness. Dyna’s father’s open hostility toward her boyfriend and her mother’s insistence that Jay promise to take care of Dyna seem oddly out of step with their apparent free-spiritedness.

Sometimes inspiring, sometimes overdone. (Fiction. 12-18)

Pub Date: Sept. 23, 2014

ISBN: 978-0-374-30061-6

Page Count: 192

Publisher: Margaret Ferguson/Farrar, Straus & Giroux

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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