Stephen King would love it.

WELCOME TO THE DARK HOUSE

From the Dark House series , Vol. 1

A group of disparate teens win a contest to meet their favorite horror-movie director and find themselves in a real horror experience.

Of the teens, only 18-year-old Ivy has no interest in horror films or in the famous director, Justin Blake. She survived a real horror experience six years earlier, when her parents were murdered while she listened from her room across the hall. Now she wants to conquer her fear and thinks that learning why people enjoy horror movies might help. She and the others enter an Internet contest to describe their worst nightmares, winning a trip to rural Minnesota to meet Blake and arriving via chauffeured hearse to a replica of the Dark House. The next night, the hearse transports them to an amusement park custom built to make them face their own personal nightmares. Rather than offering innocent thrills, however, the individually tailored nightmare rides seem to be quite real….Although Stolarz shines the spotlight mostly on Ivy, she gives multiple chapters to the other five participants, each with a distinctive personality, including Garth, a pierced and tattooed rebel who sees horror as cool, and Natalie, a disturbed girl who might have some insight into the reality of what the group faces. The suspense starts pounding when the teens enter the park and doesn’t stop until readers are ready for the sequel.

Stephen King would love it. (Horror. 12-18)

Pub Date: July 22, 2014

ISBN: 978-1-4231-8172-9

Page Count: 368

Publisher: Hyperion

Review Posted Online: May 14, 2014

Kirkus Reviews Issue: June 1, 2014

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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