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THE IRON FLOWER

From the Black Witch Chronicles series , Vol. 2

Though imperfect, the novel warns, “Power changes everything”; those intrigued by Elloren’s desire to halt “the normal cycle...

Thoroughly committed to the anti-Gardnerian Resistance, aspiring apothecary Elloren Gardner also struggles with the question of committing to a man—and if so, which one?

As Gardneria tightens its fist around nominally independent Verpacia, Elloren’s cell weighs its options. Refuge in the Noi lands to the east beckons, but there is still work to be done in Verpax City—including mining Gardnerian Cmdr. Lukas Grey’s obvious attraction to Elloren for information. She’s attracted too, but that’s nothing compared to what she feels for Kelt and fellow Resistance member Yvan. Much happens over the course of this sequel: horrific Gardnerian mob violence; a trip to impoverished Keltania; a delegation to the all-female Amaz; and more. Despite this, the narrative arc feels flat, as Elloren accomplished much of her character growth previously. Forest piles trope on trope, encouraging readers to make associations with real-world history (Gardneria evokes Nazi Germany), but the associations are not firm (the Gardneria/Keltania relationship can be read as a cognate to modern Israel and Palestine), causing readers to constantly reassess them. Readers who loved the first book will find Forest’s consciousness of the dynamics of allyship further raised. Elloren rescued a Selkie named Marina from sexual slavery in the first book, The Black Witch (2017); here, after she facilitates a deal with the Amaz to free all similarly enslaved Selkies, Marina and the Amaz accomplish the deed with ruthless efficiency while Elloren waits. Once Marina is reunited with her skin, she is dangerously bad-ass. Those who hated the first book will find more to dislike: Repellently, the reason Selkies in sexual bondage do not fall pregnant—because love is not involved—is reminiscent of former U.S. Rep.Todd Akin's (R-Missouri) obtuse theory about rape rarely resulting in pregnancy: “If it’s legitimate rape, the female body has ways to try to shut that whole thing down."

Though imperfect, the novel warns, “Power changes everything”; those intrigued by Elloren’s desire to halt “the normal cycle of history” may wonder how this might change in Volume 3. (map) (Fantasy. 14-adult)

Pub Date: Sept. 18, 2018

ISBN: 978-1-335-91739-3

Page Count: 608

Publisher: Harlequin Teen

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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