Though imperfect, the novel warns, “Power changes everything”; those intrigued by Elloren’s desire to halt “the normal cycle...
Thoroughly committed to the anti-Gardnerian Resistance, aspiring apothecary Elloren Gardner also struggles with the question of committing to a man—and if so, which one?
As Gardneria tightens its fist around nominally independent Verpacia, Elloren’s cell weighs its options. Refuge in the Noi lands to the east beckons, but there is still work to be done in Verpax City—including mining Gardnerian Cmdr. Lukas Grey’s obvious attraction to Elloren for information. She’s attracted too, but that’s nothing compared to what she feels for Kelt and fellow Resistance member Yvan. Much happens over the course of this sequel: horrific Gardnerian mob violence; a trip to impoverished Keltania; a delegation to the all-female Amaz; and more. Despite this, the narrative arc feels flat, as Elloren accomplished much of her character growth previously. Forest piles trope on trope, encouraging readers to make associations with real-world history (Gardneria evokes Nazi Germany), but the associations are not firm (the Gardneria/Keltania relationship can be read as a cognate to modern Israel and Palestine), causing readers to constantly reassess them. Readers who loved the first book will find Forest’s consciousness of the dynamics of allyship further raised. Elloren rescued a Selkie named Marina from sexual slavery in the first book, The Black Witch (2017); here, after she facilitates a deal with the Amaz to free all similarly enslaved Selkies, Marina and the Amaz accomplish the deed with ruthless efficiency while Elloren waits. Once Marina is reunited with her skin, she is dangerously bad-ass. Those who hated the first book will find more to dislike: Repellently, the reason Selkies in sexual bondage do not fall pregnant—because love is not involved—is reminiscent of former U.S. Rep.Todd Akin's (R-Missouri) obtuse theory about rape rarely resulting in pregnancy: “If it’s legitimate rape, the female body has ways to try to shut that whole thing down."
Though imperfect, the novel warns, “Power changes everything”; those intrigued by Elloren’s desire to halt “the normal cycle of history” may wonder how this might change in Volume 3. (map) (Fantasy. 14-adult)Pub Date: Sept. 18, 2018
ISBN: 978-1-335-91739-3
Page Count: 608
Publisher: Harlequin Teen
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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