SPEAK

A frightening and sobering look at the cruelty and viciousness that pervade much of contemporary high school life, as real as today’s headlines. At the end of the summer before she enters high school, Melinda attends a party at which two bad things happen to her. She gets drunk, and she is raped. Shocked and scared, she calls the police, who break up the party and send everyone home. She tells no one of her rape, and the other students, even her best friends, turn against her for ruining their good time. By the time school starts, she is completely alone, and utterly desolate. She withdraws more and more into herself, rarely talking, cutting classes, ignoring assignments, and becoming more estranged daily from the world around her. Few people penetrate her shell; one of them is Mr. Freeman, her art teacher, who works with her to help her express what she has so deeply repressed. When the unthinkable happens—the same upperclassman who raped her at the party attacks her again’something within the new Melinda says no, and in repelling her attacker, she becomes whole again. The plot is gripping and the characters are powerfully drawn, but it is its raw and unvarnished look at the dynamics of the high school experience that makes this a novel that will be hard for readers to forget. (Fiction. 12+)

Pub Date: Oct. 22, 1999

ISBN: 0-374-37152-0

Page Count: 198

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1999

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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