In a fresh, bright successor to Tom Feelings’s classic Moja Means One (1971), Krebs (The Beeman, 2002) and Cairns (The Spider Weaver, 2001, etc.) team up to invite readers to tour the Serengeti with a group of young Maasai, counting animals in English and Swahili as they go. The text’s easy, natural rhythm makes reading aloud a pleasure, “We all went on safari / Where the treetops intertwine. / We met mischievous monkeys, / So Doto counted nine.” Each sharply detailed scene glows with jewel-like color, set off by the traditionally dressed human figures’ heads and limbs. In the end, all settle down comfortably for a twilight sing: “We all went on safari, / In the sunset’s fading light. / We built ourselves a campfire / And bid our friends ‘Good night.’ ” Further information about the Maasai, Tanzania, the ten children’s Swahili names, and the equal number of wild creatures met along the way close this brilliant, horizon-expanding outing. (map, counting pronunciation guide) (Picture book. 5-8)
Pub Date: March 1, 2003
ISBN: 1-84148-478-4
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Night-Time Numbers (32 pp.; $15.95; Aug.; 1-84148-001-0) What creepy-crawlies lurk in the dark? As a mother and child move through the familiar routine of getting ready for bed, she asks, “who can you see?” and listens carefully to the child’s responses, which include monsters, dragons, witches, wolves, ghosts, and ghouls. Vibrant collage illustrations in a wide variety of textures complement the short rhyming text, and culminate in a golden yellow scene showing an angel watching over the sleeping child, who, having named her fears, can now sleep soundly. (Picture book. 2-6)
Pub Date: Aug. 1, 1999
ISBN: 1-84148-001-0
Page Count: 32
Publisher: Barefoot Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
Strom debuts with an determinedly exuberant book about a cool young African-American artist, Eloise, whose fondness for bold colors and boldly outlined shapes is happily echoed in the full-bleed acrylic spreads. Mama tells Eloise not to bother Joe when the two talk on the front steps, but it’s hard for Eloise to contain her eagerness to tell her elderly friend about her paintings. Far from bothered, the blind man she calls Rainbow Joe for reasons apparent only at book’s end loves to listen; he approves of her imagination. Rainbow Joe claims to make the colors he sees in his head. “I know how to make them sing,” he says early on. “One of these days I’m going to show you.” Eloise’s knowledge of the color wheel, which she shares incrementally with readers, tells her that vision is needed to mix colors. Even Mama says the only color a blind person can achieve is muddy gray. It isn’t until Joe unpacks his saxophone and plays colors that Mama and Eloise can see them. This exploration of sensory differences and similarities is enlightening and enchanting. (Picture book. 3-5)
Pub Date: Sept. 15, 1999
ISBN: 1-880000-93-8
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
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