An attractive coffee-table album of canine photos with a vibrant and spiritually uplifting setting.
A photography book celebrates dogs and their cherished status in a Buddhist society.
Chambers, a world traveler, salutes the isolated Himalayan nation of Bhutan for its natural beauty and the “vibrations” imparted to its inhabitants by “the light and teachings of the Buddha.” Chief among these teachings is a reverence for all beings capable of feeling and suffering, especially dogs. The Bhutanese, she writes, believe that canines contain the reincarnated souls of human ancestors; thus, killing even strays is forbidden because it will prevent “that being from living out its Karma.” The book mainly consists of the author’s color photographs of Bhutanese dogs that indeed seem to have it pretty good. They loll happily about, resting on sidewalks, staircases, mountain pathways, and rocky outcroppings—and in gardens and fields and outside temples—lying unconscious on their sides or surveying the world in Sphinx-like postures of alert repose, occasionally allowing a human to pet them. The mutts are a motley black and white and tan, ears pointed or floppy, some of them embodying Buddhist virtues according to the captions. “Attentiveness” is illustrated by a dog with its ear cocked; “trust” by a pooch sleeping peacefully under a car in disregard of the danger of being run over; and “love” by an adorable canine gazing into the camera with golden, liquid eyes. Some photos have other subjects, including karmically underprivileged pack mules and, of course, humans, who appear in a number of portraits featuring Bhutanese laypeople and monks in colorful traditional garments. The images skillfully showcase the variety and grandeur of the Bhutanese terrain, with its majestic snow-capped peaks, wide skies, piney hillsides, and verdant valleys. Chambers’ photos are notable for a slight blurriness and an unusual color palette, with the green of foliage being washed out while throbbing blues dominate in clothing, distant landscapes, shadows, and even black fur. It’s a striking effect that looks almost ultraviolet and gives many of the photos an eerie charge. Her compositions are not the most inspired—just pooches lounging around—but they will look like nirvana to some connoisseurs of canine glory.
An attractive coffee-table album of canine photos with a vibrant and spiritually uplifting setting.Pub Date: Aug. 21, 2019
ISBN: 978-1-982232-70-2
Page Count: 66
Publisher: BalboaPress
Review Posted Online: May 20, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!
It should come as no surprise that the gifted author of The Sea Around Usand its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.
Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorkerare being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.
The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!Pub Date: Sept. 27, 1962
ISBN: 061825305X
Page Count: 378
Publisher: Houghton Mifflin
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: July 1, 1962
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
