A nifty artifact about the perils and prognostications of the science fictional world.
When a mathematician goes missing while searching for a legendary science-fiction novel, his wife hires a disabled book dealer to bring him home.
Maybe the universe’s energy really does get recycled, because this eclectic speculative novel manages to be simultaneously contemporary, nostalgic, and retro in a way that wouldn’t be unfamiliar to the SF icons to which it pays tribute. It’s a whodunit in structure but steeped in heavy philosophy with a few Beat flourishes to boot. Delia Welegtabit grew up on a remote island where her proximity to the stars gifted her with a love of mathematics. In London circa 2001, Delia is married to Levi Armstrong, another young mathematician who dreams of making sense of the universe. After Levi disappears in search of a long-lost copy of an obscure 1962 SF novel called Lode Stars by Eugene Charles Hartley, Delia hires Daniel Chase, whose prodigious literary knowledge is blunted by his prosopagnosia (face-blindness), to find him. Immediately, Daniel is summoned by Oskar Lens, a shadowy underworld figure whose delusions and paranoia make him a very dangerous adversary indeed. Stylistically, we’re deep into Jonathan Lethem territory (Chandler-esque detective story with a heavy dose of weird) before Tidhar pulls back the curtain on the wizard himself, Hartley, whose book speculates that we’re all sentient memories swirling inside a black hole. Menace endures, as predatory parasites dubbed “eaters” prey on these sentient memories unless one possesses a coded copy of Lode Stars, which protects its charge. In a familiar turn, Robert Heinlein drunkenly suggests to Hartley that if he wants to make millions, he should really start his own religion, which inspires the author to found the Scientology-esque Church of the All-Seeing Eyes before disappearing himself. The plot may collapse into noodle-bending nonsense, but Tidhar’s rich portrayal of the pulpy golden age of science fiction, distinctive characters, and nimble turns of phrase make for a cool confection.
A nifty artifact about the perils and prognostications of the science fictional world.Pub Date: Sept. 5, 2023
ISBN: 9781616963620
Page Count: 256
Publisher: Tachyon
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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