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CHARLENE

A compassionate, sometimes surprising, and always entertaining portrayal rising above a confining community.

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Under the watchful eye of her small-town neighbors in rural Virginia, an outsider struggles to belong in Helms’ novel.

Charlene Via, in her own estimation, is “a thirty-year-old woman that a lot of people around here say is…well, I’ll just say it—trashy.” Working behind the counter of a convenience store connected to a Marathon gas station, she is asked for advice and support from Luke Lyman, a 17-year-old German Baptist who was kicked out of his church, home, and job after his father discovered him looking at pictures of other men. Charlene lives in a trailer with limited space, but she thinks that the local Methodist pastor, Bob Munford, might be able to help Luke. Little does Charlene know that Bob is in the middle of his own self-proclaimed midlife crisis, breaking up with his wife and Jesus at the same time as he starts to doubt his purpose (“I feel like I’ve been living a lie for a long time, and I don’t want to start this new life with a bigger one”). The opening chapters alternate between the close third-person perspectives of Charlene and Bob, but the narrative expands once Bob tries to seek help for Luke. He contacts the church’s outreach director, who does not support Bob’s more open “liberal-like” ways and begins mounting a campaign that gets Bob barred from his own church by committee decision. He still invites Luke to stay with him before he’s kicked off the church property, but Luke soon runs away. While this is more than enough conflict to propel a novel, Helms continues to add complications by introducing Charlene’s abusive husband back into town. His actions soon escalate into a violent act, the aftermath of which takes up most of the novel’s second half.

While the narrative is a bit overlong and occasionally spins its own wheels in small-town melodrama, Helms’ development of the characters is consistently incisive. None among his collection of misfits comes across as a stereotype; each has their own backstory—including a colorful struggling songwriter and a town gossip who regularly meets with Pastor Bob despite being far from religious. Charlene, whom the reader eventually learns is of Melungeon heritage (“this mishmash of Portuguese and Black and Native American”) is particularly compelling in her attempts to transcend her past and present circumstances by bettering herself via community college and making connections with people of substance. The dialogue is sharp, capturing the rhythms and contradictions of small-town life with authenticity and wit (“We helped those people from Somalia a few years back and they were Moslems or Muslims or whatever they call themselves. I don’t see much difference. You don’t have to agree with somebody to help them”). As the story progresses, Helms continues to expand the novel’s supporting cast, introducing characters whose lives orbit around Charlene and Bob. These additional perspectives add texture and depth, though they occasionally divert attention from the core narrative. The text runs over 500 pages—the abundance of characters and subplots may stretch the patience of some readers who crave a tighter focus. Still, even with its sprawling scope, Helms ultimately succeeds in pulling the story’s threads together.

A compassionate, sometimes surprising, and always entertaining portrayal rising above a confining community.  

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: June 14, 2025

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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