A seductive, darkly atmospheric thriller with a spine-tingling climax.
After fleecing a famous New York novelist while working as her personal assistant, Sarah Mullins is targeted by schemers on the other side of the world.
Responding to overtures from a dealer in Hong Kong, Sarah flew there to sell a cache of her employer's letters, with the fading 85-year-old writer's approval. Having peeled off $200,000 in cash from the sale, Sarah is now hiding out in Bangkok in a decaying, once-glamorous apartment complex called the Kingdom. Power outages, seasonal flooding, and rumors of a military crackdown are causing occupants to leave. Though regarded as an oddity, the somber, withdrawn Sarah finds companionship in the extroverted but secretive Mali, a British-educated financial assistant; Ximena, a Chilean chef at a French restaurant; and Natalie, a hotel manager whose “eyes contained a strange hint of vendetta." It isn't long before word of the stash of money in Sarah's closet gets out. The maid, an opportunist like everyone else in this morally compromised world, has a passkey for all of the units and isn't shy about using it. Blackmailed, then implicated in an apparent murder, and finally deserted, Sarah loses all sense of identity. Can she be saved? Coming off his acclaimed Philip Marlowe novel, Only To Sleep (2018), the Bangkok-based Osborne here tilts toward Robert Stone and Graham Greene with his languorous portrayal of an ugly American—a farang, as the locals call White people—getting schooled in a foreign culture. It's a masterfully drawn, mesmerizing novel in which the ghosts of the past—like the bats, lizards, and geckos who gain free access to the Kingdom—refuse to vacate the premises.
A seductive, darkly atmospheric thriller with a spine-tingling climax.Pub Date: Aug. 18, 2020
ISBN: 978-1-984824-30-1
Page Count: 304
Publisher: Hogarth
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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