Wonderful characters, Texas-sized helpings of wit and insight, and, believe it or not, a vision of post-partisan redemption.
An unknown West Texas cattle rancher is elected to the State House of Representatives and becomes a star.
The second novel from the Pulitzer Prize–winning journalist is totally different from his first, The End of October (2020), a thriller about bioterrorism that appeared right at the beginning of the Covid-19 pandemic. It is also dramatically better. Tapping into his prodigious knowledge of and affection for the state of Texas, Wright gives us a novel about politics and people that at its best recalls classics like The Gay Place by Billy Lee Brammer and the work of Larry McMurtry. It begins when a powerful lobbyist named L.D. Sparks—“a silver-haired cynic in a gray western-cut suit and handmade boots”—shows up at the funeral of a longtime Democratic state rep, hoping to find a Republican who can take the seat. That turns out to be Sonny Lamb, who, with his wife, Lola, is barely keeping their herd going through the drought; they aren’t having much luck expanding their own family, either. An Iraq vet with a checkered past, a currently incarcerated father, and no college degree, Sonny nonetheless has the heart of a hero, as we learn when he rushes into a burning barn to save a little girl’s horse. The novel moves nimbly and amusingly through the campaign and Sonny’s early days in Austin, with highlights including a feral-hog hunt and a fertility clinic debacle. When the newly elected Rep. Lamb chooses to follow his own lights rather than “dance with the one who brung [him],” he incites the ire of L.D. and his cabal, who immediately kick off plans for his ruin. Wright’s prose is full of original and funny formulations—one character has “a smirk where his smile should be”; small towns between San Antonio and El Paso “[cling] to the interstate like ticks on a dog”; an obnoxious catfish farmer–turned-politico is “the brains behind the QAnon caucus,” which is so dry it crackles. Just a few complaints: The sections about Sonny’s plan to convert the wastewater produced by fracking into a solution for the drought sometimes seem to be turning into New Yorker articles, and the storyline about Sonny and Lola’s marital troubles is not convincing.
Wonderful characters, Texas-sized helpings of wit and insight, and, believe it or not, a vision of post-partisan redemption.Pub Date: Sept. 19, 2023
ISBN: 9780593537374
Page Count: 336
Publisher: Knopf
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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