A disturbing, eerily timed novel but no page-turner.
As a lethal virus of unknown origin ravages huge swaths of the planet, legendary American disease fighter Henry Parsons heads up increasingly hopeless attempts to control it.
The easily transmitted disease, which literally turns its victims blue, is first detected in a refugee camp in Indonesia, "hothouse of diseases." Sent there by the World Health Organization, Parsons quickly recognizes the dangers at hand but not quickly enough to prevent his infected local driver from leaving the camp to join some 3 million worshipers on the annual hajj. When attempts at quarantines in Mecca fail and the infected pilgrims return home, they carry the disease all over the globe. In light of the relatively few disease-related deaths in Russia, suspicions arise that the virus was bioengineered by Putin. The Russian leader, of course, blames America, where cities and institutions begin crumbling. After blood drips from the eyes of the president, midspeech, and the vice president is infected, the ill-prepared government is driven into an underground facility in Virginia. (CNN's Anderson Cooper apparently perishes but not Wolf Blitzer, who still commands The Situation Room.) Featuring accounts of past plagues and pandemics, descriptions of pathogens and how they work, and dark notes about global warming, the book produces deep shudders. Wright, author of acclaimed nonfiction such as The Looming Tower (2006), about the Sept. 11 attacks, knows his way around geopolitical terror, but he's less successful as a thriller writer, upstaged here by the recent, real-life coronavirus. There is little true suspense in the novel, which sketches in its nightmarish scenarios rather than dramatizing them. Even a suicide bombing has marginal impact. Ultimately, the book gets caught up in family drama, sentimentality, and end-of-the-world moralizing. An atheist since his missionary parents were killed in an air crash, Parsons rediscovers religion.
A disturbing, eerily timed novel but no page-turner.Pub Date: May 12, 2020
ISBN: 978-0-525-65865-8
Page Count: 400
Publisher: Knopf
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
SEEN & HEARD
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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