A simple Sukkot story that focuses on the concept of helping those in need.
Many families from Micah’s synagogue are picking pumpkins for a soup kitchen.
Micah asks his mother, “What’s a soup kitchen?” She explains, and his dad adds the definition of tikkun olam, the Jewish concept of doing good deeds, or “repairing the world.” As a reward for their good work, each child will receive a pumpkin. Micah wants to find a large one for Sukkot, the Jewish harvest festival. After picking pumpkins all day, he finally gets ready to choose, but when he finds a gigantic one, he remembers the soup kitchen. Farmer Jared gently tells him that the big pumpkins are not good for cooking but can be used to make “a wonderful decoration.” The boy finds “a perfect little pumpkin” and dreams of his Sukkot meal but realizes that his family has enough food and other people need the perfect pumpkin more than he does. He adds it to the donations and accidentally steps on a rotten pumpkin. As the farmer explains that this pumpkin will serve as compost, Micah discovers the best pumpkin of all—the seeds to grow his own—“for next year.” Micah and his family are white, but there are Asian and black synagogue members. There are few details about the celebration, but the colorful paintings are humorous and show the sukkah with its harvest decorations.
A simple Sukkot story that focuses on the concept of helping those in need. (afterword, activities) (Picture book. 4-7)Pub Date: Sept. 1, 2017
ISBN: 978-1-5124-0865-2
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: June 26, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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