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ME AND WHITE SUPREMACY

COMBAT RACISM, CHANGE THE WORLD, AND BECOME A GOOD ANCESTOR

A bracing, highly useful tool for any discussion of combating racism.

An activist program for confronting white privilege and dismantling white supremacy.

Building on a workbook downloaded by nearly 90,000 readers, multicultural writer Saad, born in Britain and now living in Doha, Qatar, delivers “a one of a kind personal antiracism tool” that is meant foremost to teach white readers how to recognize their privilege and “take ownership of their participation in the oppressive system of white supremacy.” Many readers will likely recoil, protesting that they’re not racist, are colorblind, have nothing but benevolent thoughts, and so forth. The author is ready for them: White supremacy, she writes, is not just a comprehensive system, but it also trains those who benefit most from it to “keep you asleep and unaware” of the power that whites hold relative to those of other races and ethnicities: “BIPOC,” as in, “Black, Indigenous, and People of Color.” Saad enumerates some of the features of that power: Pulled over for a traffic violation, a white motorist doesn’t usually have to fear for their life; any stylist can cut their hair; popular culture considers people who look like them to be representative; and so on. The author’s approach is at first confrontational and righteously indignant, but as she guides her readers—including BIPOCs who may for whatever reason benefit from systems of white privilege and supremacy—through a monthlong series of lessons, including self-critical journal prompts, one has the sense that her method is much like that of Marine Corps boot camp: Tear down in order to build up. A reader’s guilt may rise and crest, buttressed by sweeping damned-if-you-do-or-don’t condemnation for such things as “clinging to pink pussy hats, safety pins, and hashtags over doing the real work.” At the end, however, that reader is assured that even though they may be part of the problem, “you are simultaneously also a part of the answer.”

A bracing, highly useful tool for any discussion of combating racism.

Pub Date: Feb. 4, 2020

ISBN: 978-1-72820-980-7

Page Count: 256

Publisher: Sourcebooks

Review Posted Online: Oct. 22, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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UNTAMED

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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  • New York Times Bestseller


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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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