A riveting fictional meditation on the persistent drive to find acceptance and connection.
A collection of linked short stories about a cut-rate carnival show traveling through the American South during the early 20th century.
In 1910, patent medicine salesman Earl Beasley launches a “Traveling Amusements” show, and his first “human attractions” are people whom he’d been unable to cure with his concoctions. Earl’s sons, Stan, Tom, and Earl Jr., take over in 1912, and they continue the family business with ruthless hucksterism, amassing a collection of people whom they market under such names as “Flipper Boy,” “Hammer Toe,” and “Lizard Man.” Each has a unique, poignant story, rooted in social segregation and a desire for autonomy and connection. Julian Henry, the aforementioned “Lizard” person, is embittered by both his father’s revulsion and his mother’s adulation. Tiny Laveaux, billed as the “World’s Smallest Woman,” escapes the tawdry reality of her daily exposure to the gawking public via transcendent sex with the armless “Hammer Toe.” Beulah Divine, the “World’s Largest Woman,” who’s perpetually forced to remain heavy by the profit-hungry Beasleys, endures a barrage of mocking taunts by cherishing a private secret—her real name. Cheever, an African American roustabout, ran away from his difficult life as a sharecropper only to find that the carnival is just another type of bondage. Seligman’s (A Pocket Book of Prompts, 2015, etc.) episodic narrative hangs on themes of loneliness, suffering, and the ascendance of human kindness. Although the setting might give rise to fears of stereotyping or sensationalism, each character emerges as a complex person who’s part of an unconventional but still familiar community. Seligman’s prose is vivid and captivating, as when she describes Julian’s first encounter with Tiny: “her eyes darting every which way until they landed on him like great splats of rain.” Her portrayal of a society teetering between the past and the future is subtle, and although many of the characters’ stories are sad, there are recurring moments of gentleness.
A riveting fictional meditation on the persistent drive to find acceptance and connection.Pub Date: Sept. 5, 2019
ISBN: 978-0-87233-296-6
Page Count: 224
Publisher: Bauhan Publishing
Review Posted Online: Oct. 2, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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