While readers who long for concrete answers may be frustrated, those willing to go along with this captivating exploration...

ABOVE

In a world where "Sick's the same as Freak Above," only below is Safe.

Safe is both adjective and noun in Matthew’s world, both the feeling and the subterranean haven built by claw-handed Atticus. Matthew is the Teller of Safe, the person who keeps everyone's stories and retells them. Its denizens are those unwanted Above: the mentally ill, the marginal—and the Cursed. He loves the fragile, honey-haired Ariel, whom he found on patrol in the sewers around Safe and who turns into a honeybee when under stress. Bobet starts her surreal fable/adventure explosively, with a catastrophic raid by the terrifying shadows that kills leader Atticus and scatters Safe's residents. Matthew, Ariel and two others make their way alone to a sympathetic doctor Above to regroup and, they hope, retake Safe. Above, Matthew finds his received history continually under challenge. Having been the first child born in Safe, Matthew sees it as the only reality. Occasionally interspersing Matthew's tightly filtered, present-tense account with the Tales of Safe, the author rarely gives readers an opportunity to see what may be objectively "real," making for a slightly claustrophobic, normality-inverting experience.

While readers who long for concrete answers may be frustrated, those willing to go along with this captivating exploration of both individual and collective identity will find themselves pondering its implications long after the last page . (Fiction. 14 & up)

Pub Date: April 1, 2012

ISBN: 978-0-545-29670-0

Page Count: 368

Publisher: Levine/Scholastic

Review Posted Online: Feb. 22, 2012

Kirkus Reviews Issue: March 15, 2012

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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A worthy successor to an explosive debut.

BLOODMARKED

From the Legendborn series , Vol. 2

After Awakening the dormant spirit of her ancestor King Arthur Pendragon, almost-17-year-old Briana Matthews must fight to learn and control her magical inheritances.

As a Black person who also possesses the ability to use Root, a form of magic borrowed from deceased practitioners and passed down to her through her mother’s family, Bree is unique in the Line of Pendragon. It is through blood and violence that Bree’s magical abilities intertwined—both those from Arthur’s Welsh origins and from her family’s Bloodcraft originating during chattel slavery in the American South. Together they have turned her into one of the most powerful people either Line has ever known. The intricacies of her navigation of her new powers are at the heart of this sequel to Legendborn (2020), especially as Bree balances the knowledge that her Blackness creates a critical distance between her and the racist people she is sworn to protect as the king of all Legendborns. The plot is complex, and the morsels of information that help fill in the gaps of knowledge don’t always feel fully formed, which may leave readers confused as they try to keep up with the new powers and beings that are presented. Still, there are important, if hard to read, references, for example, when Bree is kidnapped and experimented on by an all-White council, a turn of events that reflects Deonn’s commitment to presenting unflinching truths about the cyclical insidiousness of racism.

A worthy successor to an explosive debut. (Fantasy. 14-18)

Pub Date: Nov. 8, 2022

ISBN: 978-1-5344-4163-7

Page Count: 640

Publisher: Simon & Schuster

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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