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BECAUSE YOU'LL NEVER MEET ME

A witty, unusual take on friendship and parlaying weakness into power.

Opposites attract—and repel—in Thomas' epistolary debut novel.

Ollie sees his new German pen pal, Moritz, as a potential lifeline. Ollie’s allergy to electricity has exiled him and his mother to a cabin in the Michigan woods with little company besides Auburn-Stache, his unconventional doctor, and Liz, a girl who brings him news from the world of TVs and humidifiers. Buzzing with awkward wisecracks and restless energy, he draws the aloof, sardonic Moritz into conversation. Rescued from a lab, Moritz requires a pacemaker and lacks eyes, but he insists he isn't blind; he can acutely sense his surroundings by clicking his tongue. Unfortunately, superecholocation and sarcasm don't help him fight a bully or approach Owen, the boy who treats him like a human. Ollie and Moritz need each other, even if they won't admit it. Isolation and the intimacy afforded by distance sharply focus the characters' developments; their personalities take shape quickly, and their relationship deepens as they play off each other’s anecdotes and insults. The humorous and increasingly emotional exchanges create cliffhangers, culminating in occasionally disturbing revelations about the boys' origins. Their link is heavily foreshadowed, while other plotlines remain open enough to give the ending a sense of anticipation as well as satisfaction.

A witty, unusual take on friendship and parlaying weakness into power. (Fiction. 14 & up)

Pub Date: June 2, 2015

ISBN: 978-1-61963-590-6

Page Count: 352

Publisher: Bloomsbury

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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THE ODYSSEY

Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)

Pub Date: Oct. 1, 2010

ISBN: 978-0-7636-4266-2

Page Count: 256

Publisher: Candlewick

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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THE WAY I AM NOW

Highlights with painful honesty the process of moving forward following trauma.

In this follow-up to 2016’s The Way I Used To Be, a high school senior comes to understand that surviving rape is only the first part; what comes next is hard, too.

Eden is learning how to live after coming forward and publicly naming her rapist following three years of self-loathing and destructive behavior. In counseling, she’s working to understand who she is now, while also maintaining relationships with friends who don’t know what happened and family members who are dealing with guilt and anger in their own ways. Others’ reactions often leave Eden feeling like her honesty was more burdensome than helpful. She awaits the trial and reconnects with Josh, the boy she loved even when she couldn’t love herself and the only person outside her family who knew the truth. While Eden and Josh want love to be enough, both come with emotional baggage that must be dealt with before they can truly give themselves to each other. This emotional story about learning to take back control explores the fraught journey back to self for survivors and those who love them most. It is well paced and well executed and effectively shows how the legal system can make victims feel pressured and lonely. Readers need to be familiar with the first volume to fully understand this one. Main characters are cued white.

Highlights with painful honesty the process of moving forward following trauma. (author’s note) (Fiction. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9781665947107

Page Count: 432

Publisher: McElderry

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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