A warm and nostalgic family remembrance.
Love of opera brings a Jewish boy from czarist Russia to New York.
When he hears an opera singer perform in the neighboring shtetl, Nathan wants to sing also. His impoverished family saves for years and finally can afford to send him to Italy to study. Nathan sets out for a Black Sea port but is so overwhelmed by the many languages that he ends up on the wrong ship—one that is sailing to New York City. Fortunately, he can literally sing for his supper, and all the passengers dine and dance to his music-making. When he sets foot in New York, he continues to sing, this time on street corners to pay for food and lodging. A job in a hat store, marriage, and earning enough money to bring over his family follow. Nathan continues his studies and even sings on Broadway. The author recounts what is loosely her grandfather’s journey to America with great affection. In her author’s note, she provides some background information on Jewish life in Russia’s “Pale of Settlement” with its often violent anti-Semitism. The graphically striking artwork is brightly colored in blues, yellows, and oranges and fills the pages with dancing figures and city buildings. Families may follow this story with tales of their own American journeys. (This book was reviewed digitally with 10.5-by-16-inch double-page spreads viewed at 33.9% of actual size.)
A warm and nostalgic family remembrance. (Picture book. 4-7)Pub Date: Feb. 16, 2021
ISBN: 978-1-984815-78-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
SEEN & HEARD
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Pitch-perfect tension and delightful silliness.
The legend of a giant, dangerous duck at Cucumonga Campground looms large.
Young Hector and his family are on vacation. Everything seems pleasant except for the many objects that have gone missing and the warnings Hector keeps receiving. Everyone tells him not to interact with the ducks. Don’t go near them, don’t look at them, and absolutely, positively, do not feed them. To further emphasize the point, “DO NOT FEED THE DUCKS” signs pop up every few feet at the campground. So what does Hector do? He feeds the ducks. They just look so cute and hungry. Amid the many feathers flapping, a large, foreboding shadow suddenly crosses the lake. Colón builds suspense through short, clipped narration. The weather turns ominous, and people flee in terror—it’s…THE QUACKEN! The fearsome, colossal wildfowl has appeared! It’s always one step ahead of Hector until there is no escape. Hector is popped into the duck’s bill like a delicious morsel. But, luckily for Hector, “children taste terrible.” Reminiscent of old, cheesy horror films, this tale will make a hilariously over-the-top read-aloud. Pino ramps up the drama in his illustrations, alternating full-page spreads with graphic novel–like panels and vignettes. Hector and his family are brown-skinned, while other campers are racially diverse.
Pitch-perfect tension and delightful silliness. (Picture book. 4-7)Pub Date: July 16, 2024
ISBN: 9781665922487
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
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