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JUMPING OFF LIBRARY SHELVES

The final stanza of Cynthia S. Cotten’s “My Card” says it all: “My library card / unlocks the world / and more / with a...

The title of this book of 15 poems will immediately grab the attention of teachers and librarians.

All together, the listing of titles in the table of contents forges a lyrical look at what libraries mean to individuals. Many of the poets are well-known in children’s literature, and the poems are personal and heartfelt. “Enchantment,” by Jane Yolen, revels in the power of a library card; “Internet Explorer,” by J. Patrick Lewis, makes a metaphorical nod at the integration of computers into library services; “The Poetry Section” by Alice Schertle, celebrates “that poetry sound”; “I’d Like a Story,” by X.J. Kennedy, consists of the energetic plea of an eager reader to a helpful librarian. The page composition and text placement add playfulness, while the gouache-and-pencil illustrations are buoyant and imaginative. Wispy backgrounds and splotches of color add ebullience. Hopkins, a master anthologist, has compiled an excellent collection and includes one of his own poems, a tribute to distinguished librarian and storyteller Augusta Baker (whom he knew personally). The overall effect is an endearing accolade for fellow book and library mavens.

The final stanza of Cynthia S. Cotten’s “My Card” says it all: “My library card / unlocks the world / and more / with a single / scan.” Amen. (Picture book/poetry 5-12)

Pub Date: Sept. 8, 2015

ISBN: 978-1-59078-924-7

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: July 15, 2015

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STOPPING BY WOODS ON A SNOWY EVENING

Lovely pictures newly elucidate this renowned, euphonious work.

A picture-book adaptation of Frost’s pensive poem.

Its four rhyming quatrains are divided into six couplets interleaved with several wordless double spreads; the last four lines each appear on a separate page. Notably, Lynch visually subverts several of the poem’s customary narrative interpretations, depicting a young, light-skinned rider astride a dappled gray horse. While the poem’s line “He gives his harness bells a shake” implies a horse-drawn wagon, Lynch supplies a bell-trimmed bridle instead. Such innovations shift the poem’s authorial voice away from that of the venerable poet, adding a fresh layer of mystery to the purpose of this traveler’s journey. The narrator’s clothing, suggestive of the late 19th or early 20th century, includes a long dress, a belted jacket, a sturdy, wide-brimmed hat, and thick work gloves; a bedroll is stowed behind the saddle. Where the poem mildly personifies the horse, who “must think it queer / To stop without a farmhouse near,” Lynch depicts the dismounted rider fondly cradling the animal’s head as twin puffs of breath exit his nostrils. Belying this “darkest evening of the year,” Lynch illuminates the blue-grays of snow-laden conifers and frozen lake with a pallid gold winter sunset and a fleeting moon. Variable perspective—from bird’s-eye to close-up—bestows a quasi-cinematic sense as the coming dawn draws the rider’s furtive look. Endpapers bracket the journey, from twilit village to sunup, horse and rider long gone. (This book was reviewed digitally.)

Lovely pictures newly elucidate this renowned, euphonious work. (Picture book/poetry. 5-10)

Pub Date: Nov. 8, 2022

ISBN: 978-1-5362-2914-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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IN THE BEAUTIFUL COUNTRY

A powerfully candid and soulful account of an immigrant experience.

A Taiwanese family tries their luck in America.

In this verse novel, it’s 1980, and nearly 11-year-old Ai Shi and her mother prepare to leave Taipei to join her father in California, where he is pursuing a business opportunity with a friend. The extended family send them off, telling Ai Shi she’s so lucky to go to the “beautiful country”—the literal translation of the Chinese name for the U.S. Once they are reunited with Ba, he reveals that they have instead poured their savings into a restaurant in the remote Los Angeles County town of Duarte. Ma and Ba need to learn to cook American food, but at least, despite a betrayal by Ba’s friend, they have their own business. However, the American dream loses its shine as language barriers, isolation, financial stress, and racism take their toll. Ai Shi internalizes her parents’ disappointment in their new country by staying silent about bullying at school and her own unmet needs. Her letters home to her favorite cousin, Mei, maintain that all is well. After a year of enduring unrelenting challenges, including vandalism by local teens, the family reaches its breaking point. Hope belatedly arrives in the form of community allies and a change of luck. Kuo deftly touches on complex issues, such as the human cost of the history between China and Taiwan as well as the socio-economic prejudices and identity issues within Asian American communities.

A powerfully candid and soulful account of an immigrant experience. (Verse historical fiction. 9-12)

Pub Date: June 28, 2022

ISBN: 978-0-06-311898-0

Page Count: 320

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: April 15, 2022

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