First-person narrator Garet James, a New York City jewelry designer, has traveled to Paris in search of charismatic vampire...
The second entry in Carroll's urban fantasy trilogy begun with Black Swan Rising (2010). Unfortunately.
First-person narrator Garet James, a New York City jewelry designer, has traveled to Paris in search of charismatic vampire Will Hughes, who stole Garet's magical antique silver box. This heirloom is embossed with the same watchtower design as Garet's ring, denoting her heritage—her female ancestors form a sort of anti-evil witch coven. Garet has also designed a watch patterned after an original owned by evil 17th-century sorcerer Cosimo Ruggieri, but has added her watchtower motif. Later, as Garet learns to use her own magic powers, the watch will enable her to suspend time. Will apparently has vanished into the Summer Country, a magic realm where he hopes to become de-vampired. The book's second narrative strand follows, in the third person, young Will, a poet and rake, to explore his origins in an unrecognizably bland Shakespearean London. Will falls for a fairy, the immortal Marguerite, Garet's ancestor, and is outwitted by numerous evildoers including the immortal astrologer John Dee. All this, however, takes an eternity to develop. Foolish, blundering Will isn't much of a hero, and Garet too passionless to be a suitable foil. The comic-book villains, shrieks and fountains of blood don't help. Even Paris sounds dull. The few surprises come right at the end. The poetry, strangely, is far more palatable.Pub Date: Aug. 1, 2011
ISBN: 978-0-7653-2598-3
Page Count: 400
Publisher: Tor
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
BOOK REVIEW
BOOK REVIEW
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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