A dark pleasure.
Durkee's long-awaited second novel (Rides of the Midway, 2001) is a black-comic delight.
Lou Bishoff is beset from all sides. After a promising debut novel that he's long ago ceased to imagine he'll ever follow up, he spent almost two decades in frigid Vermont (failed marriage, child-rearing, attendant despair). Now he's returned to his native Mississippi, where, after running through a succession of jobs, he's found a niche as a kind of knight-errant cab driver—Charon to meth heads, rehab escapees, elderly ICU refugees, and frat-boy monsters looking to score—in a college town (Gentry, a dead ringer for Oxford). But even this poor haven, a spavined, reeking, gas-guzzling Lincoln with a balky suspension and a "Shakespeare-mint" air freshener, is under imminent threat; Uber is set to arrive in weeks, the cab company owner's fugitive son has returned to town, and both Lou's back and his romantic life are in perpetual spasm. All this provides the setup for a remarkable one-day picaresque as we follow Lou on a marathon shift through a blasted landscape that's part Denis Johnson–ish carnival of the wrecked, part Nietzschean Twilight of the Gods (or Twilight of the Taxicabs). Lou is damaged, bitter, self-righteous, with a hint of Sam Spade masochism that one fare recognizes—yet the book's relentless grimness never seems either relentless or grim. Instead there's a comic sweetness and energy underneath that reminds one of Charles Portis. Lou has every reason for cynicism, but a dogged hope and playfulness, remnants of his studies in Buddhism and the influence of comedian Bill Hicks, keep pressing through; even when the car breaks down—and his body and every last structure of the world around him—he has the refuge of his considerable wit.
A dark pleasure.Pub Date: March 3, 2020
ISBN: 978-1-947793-39-2
Page Count: 240
Publisher: Tin House
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
BOOK REVIEW
Even if you have Jackie Kennedy—and this is a particularly sensitive and nuanced portrait of her—you still have to have a...
A debut novelist finds that his book has been acquired by Jackie O.
Rowley (Lily and the Octopus, 2016) likes a shot of fantasy with his fiction—last time it was a malignant sea creature attached to the head of a dachshund, this time it's Jacqueline Kennedy Onassis at her day job. A young gay writer named James Smale is sent by his agent to Doubleday to take a meeting about his book, with no advance warning that the editor who wants to acquire his manuscript is the former first lady. As this novel is already on its way to the screen, one can only hope that the first few scenes come off better on film than they do on paper—here, the brio of the premise is almost buried under the narrator's disbelief and awkwardness and flat-footed jokes, first in the meeting with Jackie, then when he goes home to share the news with his lover, Daniel. James' novel, The Quarantine, deals with a troubled mother-son relationship; as Jackie suspects, it has autobiographical roots. But James' real mother is extremely unhappy with being written about, and the two are all but estranged. Mrs. Onassis insists, in her role as editor, that he go home and deal with this, because he won't be able to fix the ending of his book until he does. So he does go home, and long-kept family secrets are spilled, and everyone gets very upset. As a result, he apparently fixes The Quarantine, though as much can't be said for The Editor.
Even if you have Jackie Kennedy—and this is a particularly sensitive and nuanced portrait of her—you still have to have a plot.Pub Date: April 2, 2019
ISBN: 978-0-525-53796-0
Page Count: 320
Publisher: Putnam
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Truth is stranger than fiction in this acid satire of the academic doldrums.
A disgruntled English professor pours out his hopes, affections and frustrations in an interconnected series of recommendation letters.
In “The Gristmill of Praise,” a recent article in The Chronicle of Higher Education, Schumacher (Creative Writing/University of Minnesota; The Unbearable Book Club for Unsinkable Girls, 2012, etc.) revealed that in a single year, she receives more than 1,600 letters of recommendation and writes 50 to 100 of her own. This onslaught of praise inspired her to write a very funny epistolary novel composed of recommendation letters written by a caustic, frustrated and cautiously hopeful English professor named Jason Fitger. He's a former literary wunderkind who parodied his own writing teacher in a successful first novel called Stain 20 years ago and has since parlayed three unsuccessful follow-ups into a tenured position at a small liberal arts college. Over the course of 100 letters, we learn that waste water is leaking into Fitger’s office from the construction of a glorious new economics center above the English department; that he’s engaged in a losing battle of office politics with the administration; that he has a cordial but cold relationship with his ex-wife over in the law school; and that he’s generally kind to most of his students, even the ones who are moving on from college to the local liquor store. His writing, meanwhile, is tremendously florid and mostly cynical: “Mr. Duffy Napp has just transmitted a nine-word email asking that I immediately send a letter of reference to your firm on his behalf; his request has summoned from the basement of my heart a star-spangled constellation of joy, so eager am I to see Mr. Napp well established at Maladin IT.” Most of all, we learn that the failed novelist still has hope for the future—if not for himself, then for one of his students, Darren Browles, whom he's mentoring through a difficult first novel. It’s an unusual form for comedy, but it works.
Truth is stranger than fiction in this acid satire of the academic doldrums.Pub Date: Aug. 19, 2014
ISBN: 978-0-385-53813-8
Page Count: 208
Publisher: Doubleday
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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