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BONE CANYON

Best in its disturbingly timely portrait of the police’s “blue wall” fortified to repel even the most intrepid crusaders.

The bones found in the San Fernando Valley’s Hueso Canyon send Robbery­-Homicide Detective Eve Ronin up against the very last people she wants to tangle with.

Stalked by Hollywood producers and writers who want to put her high-profile debut case onscreen or create a TV series around her and criticized as a camera-chasing diva by resentful colleagues, Eve would love to have the bone fragment horror screenwriter Sherwood Minter finds on the edge of his property be a routine discovery. But forensic anthropologist Dr. Daniel Brooks quickly unearths more bones and identifies them as those of Sabrina Morton, who vanished six years ago shortly after filing a rape complaint that was investigated by Detective, now Assistant Sheriff, Ted Nakamura. When the evidence indicates that Sabrina’s rapists were most likely officers in the Los Angeles County Sheriff’s Department, Eve, who feels as if “I’ve already become a television character,” faces some tough choices about how far she should push the case and whom she can trust. The mystery deepens when Dan, as Eve now calls him, finds part of an 11th finger in Hueso Canyon. Clearly Sabrina’s body wasn’t the only one left there. How are the victims connected, and what hope do Sabrina’s embittered parents have of getting justice for their long-forgotten daughter? When her fellow cops regard her with suspicion and everyone else around her, from her neglectful mother to her long-absent father to the veteran agent trying to get her to take a meeting, wants a piece of Eve, it’s hard to see how she can focus enough to solve the case—especially given the last-minute trick Goldberg has up his sleeve.

Best in its disturbingly timely portrait of the police’s “blue wall” fortified to repel even the most intrepid crusaders.

Pub Date: Jan. 5, 2021

ISBN: 978-1-5420-4271-0

Page Count: 288

Publisher: Thomas & Mercer

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE THURSDAY MURDER CLUB

From the Thursday Murder Club series , Vol. 1

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

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Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.

The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.

A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.

Pub Date: Sept. 22, 2020

ISBN: 978-1-98-488096-3

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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