edited by Lee Gutkind ; Hattie Fletcher ‧ RELEASE DATE: Aug. 12, 2014
Whether inducing tears or raucous laughter, all the pieces are inviting, inquisitive and attentive—and sure to spark plenty...
An engaging anthology of creative nonfiction from the editors at Creative Nonfiction magazine.
The magazine is now celebrating its 20th birthday, so when founding editor Gutkind (For the Love of Baseball: A Celebration of the Game that Connects Us All, 2013, etc.) and managing editor Fletcher went to pick a handful of wildflowers from this bounty to fashion this collection, they had plenty to choose from. Many of the pieces have an experimental quality in that they catch something elemental from an unexplored angle as they venture onto shaky ground. The spiciest take no pains to disguise the process of getting there: Readers share the sensory information coming in and witness the writer’s brain decoding and shaping the material, all subjective and unlike any other, making their own local color as both participant and observer and changing their way of being in the world. As a style, creative nonfiction has yet to be thoroughly pinned down; it remains simultaneously furtive and dodgy, versatile and as inclusive as a hug from Walt Whitman. Longtime New Yorker contributor Susan Orlean—who better to write the introduction?—makes important suggestions to writers considering creative nonfiction: “Don’t over-prepare. Be willing to jump into stories naked; you’ll listen harder and learn more authentically. On the other hand, do over-report. Follow bits of the story that aren’t quite on topic; you’ll probably find something unexpected and fascinating.” Other contributors include Sonya Huber, Gordon Lish, Toi Derricotte and Louise DeSalvo. In Vanity Fair, James Wolcott declared that creative nonfiction is “a sickly transfusion, whereby the weakling personal voice of sensitive fiction is inserted into the beery carcass of nonfiction.” This anthology proves otherwise.
Whether inducing tears or raucous laughter, all the pieces are inviting, inquisitive and attentive—and sure to spark plenty of imaginations.Pub Date: Aug. 12, 2014
ISBN: 978-1-937163-16-7
Page Count: 320
Publisher: InFact Books
Review Posted Online: June 10, 2014
Kirkus Reviews Issue: July 1, 2014
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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