by Lee Matthew Goldberg ‧ RELEASE DATE: Aug. 21, 2020
An offbeat and gripping novel of family pain.
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In Goldberg’s novel of the past and present, a 19th-century man finds himself in modern-day Alaska.
In 2020, a mysterious man finds himself stranded in the freezing wilderness. He doesn’t know where he is or how he got there, or even his name. He’s about to be eaten by a pack of wolves when a pair of hunters save him by shooting off their guns. From a distance, the man notices that one of the hunters looks exactly like him; he hides and sneaks into the back of the hunters’ truck. It ends up in Laner, Alaska, where Travis Barlow, the look-alike, lives with his wife, Callie, and their son, Eli. Travis’ father, Stu, is the town sheriff, and Travis’ grandfather Clifford lives nearby. Travis once had a brother, Bobby, whose cause of death remains a mystery. The newcomer finds a journal in his coat, which helps his memory. His name is Wyatt Barlow, and in 1898, he left his Washington farm to seek gold in Alaska. He determines that he must be a Barlow ancestor who somehow ended up in the future; he also misses his wife and son and recalls a horrible crime he committed. At first, Wyatt scavenges around Laner for food and shelter while taking trips to Travis’ house to spy on the family: “Is this the wife and son he craves?” Eventually, Wyatt presents himself to Travis, who experiences “the awe that a doppelgänger can unearth.” The moment gives them the feeling of “eras colliding.” Travis helps Wyatt get a job, and he, too, becomes fascinated by his double. Travis has been in a rut, and Wyatt’s presence fills him with a sense of adventure, but Wyatt’s plans are less clear as he plots his own future.
Over the course of this novel, Goldberg demonstrates an impressive command of his ensemble, smoothly differentiating multiple characters and detailing their arcs through time. He always keeps the plot moving forward, even when characters turn to the past, such as Stu, who can’t let go of Bobby’s death, and Wyatt, who wishes his wife and child had followed him to the present. Moments of humor brighten the story, as when Wyatt, at length, recalls a fellow traveler correctly identifying him as a gold-rusher: “What gave it away?” Wyatt asks. The man replies, “There ain’t a stench of fish or God on ya.” At other points, Goldberg’s writing is more meditative and reaches an impressive level of emotional clarity, as when Travis considers the sea: “This ocean that brings the town life, but has taken it away too. The final resting place for his brother who went out high on bad shit. He never stood a chance, not even from birth.” The small-town setting, the family dynamics, and the abnormal circumstances of Wyatt’s arrival result in a story that blends the familiar and the supernatural in a manner that call Stephen King’s work to mind. That said, Goldberg’s book possesses a flavor all its own—a distinctive mélange of the sincere and the strange.
An offbeat and gripping novel of family pain.Pub Date: Aug. 21, 2020
ISBN: 978-1-64396-114-9
Page Count: 329
Publisher: All Due Respect
Review Posted Online: May 29, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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