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THE ANCESTOR

An offbeat and gripping novel of family pain.

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In Goldberg’s novel of the past and present, a 19th-century man finds himself in modern-day Alaska.

In 2020, a mysterious man finds himself stranded in the freezing wilderness. He doesn’t know where he is or how he got there, or even his name. He’s about to be eaten by a pack of wolves when a pair of hunters save him by shooting off their guns. From a distance, the man notices that one of the hunters looks exactly like him; he hides and sneaks into the back of the hunters’ truck. It ends up in Laner, Alaska, where Travis Barlow, the look-alike, lives with his wife, Callie, and their son, Eli. Travis’ father, Stu, is the town sheriff, and Travis’ grandfather Clifford lives nearby. Travis once had a brother, Bobby, whose cause of death remains a mystery. The newcomer finds a journal in his coat, which helps his memory. His name is Wyatt Barlow, and in 1898, he left his Washington farm to seek gold in Alaska. He determines that he must be a Barlow ancestor who somehow ended up in the future; he also misses his wife and son and recalls a horrible crime he committed. At first, Wyatt scavenges around Laner for food and shelter while taking trips to Travis’ house to spy on the family: “Is this the wife and son he craves?” Eventually, Wyatt presents himself to Travis, who experiences “the awe that a doppelgänger can unearth.” The moment gives them the feeling of “eras colliding.” Travis helps Wyatt get a job, and he, too, becomes fascinated by his double. Travis has been in a rut, and Wyatt’s presence fills him with a sense of adventure, but Wyatt’s plans are less clear as he plots his own future.

Over the course of this novel, Goldberg demonstrates an impressive command of his ensemble, smoothly differentiating multiple characters and detailing their arcs through time. He always keeps the plot moving forward, even when characters turn to the past, such as Stu, who can’t let go of Bobby’s death, and Wyatt, who wishes his wife and child had followed him to the present. Moments of humor brighten the story, as when Wyatt, at length, recalls a fellow traveler correctly identifying him as a gold-rusher: “What gave it away?” Wyatt asks. The man replies, “There ain’t a stench of fish or God on ya.” At other points, Goldberg’s writing is more meditative and reaches an impressive level of emotional clarity, as when Travis considers the sea: “This ocean that brings the town life, but has taken it away too. The final resting place for his brother who went out high on bad shit. He never stood a chance, not even from birth.” The small-town setting, the family dynamics, and the abnormal circumstances of Wyatt’s arrival result in a story that blends the familiar and the supernatural in a manner that call Stephen King’s work to mind. That said, Goldberg’s book possesses a flavor all its own—a distinctive mélange of the sincere and the strange.

An offbeat and gripping novel of family pain.

Pub Date: Aug. 21, 2020

ISBN: 978-1-64396-114-9

Page Count: 329

Publisher: All Due Respect

Review Posted Online: May 29, 2020

Kirkus Reviews Issue: July 1, 2020

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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