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THE ANCESTOR

An offbeat and gripping novel of family pain.

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In Goldberg’s novel of the past and present, a 19th-century man finds himself in modern-day Alaska.

In 2020, a mysterious man finds himself stranded in the freezing wilderness. He doesn’t know where he is or how he got there, or even his name. He’s about to be eaten by a pack of wolves when a pair of hunters save him by shooting off their guns. From a distance, the man notices that one of the hunters looks exactly like him; he hides and sneaks into the back of the hunters’ truck. It ends up in Laner, Alaska, where Travis Barlow, the look-alike, lives with his wife, Callie, and their son, Eli. Travis’ father, Stu, is the town sheriff, and Travis’ grandfather Clifford lives nearby. Travis once had a brother, Bobby, whose cause of death remains a mystery. The newcomer finds a journal in his coat, which helps his memory. His name is Wyatt Barlow, and in 1898, he left his Washington farm to seek gold in Alaska. He determines that he must be a Barlow ancestor who somehow ended up in the future; he also misses his wife and son and recalls a horrible crime he committed. At first, Wyatt scavenges around Laner for food and shelter while taking trips to Travis’ house to spy on the family: “Is this the wife and son he craves?” Eventually, Wyatt presents himself to Travis, who experiences “the awe that a doppelgänger can unearth.” The moment gives them the feeling of “eras colliding.” Travis helps Wyatt get a job, and he, too, becomes fascinated by his double. Travis has been in a rut, and Wyatt’s presence fills him with a sense of adventure, but Wyatt’s plans are less clear as he plots his own future.

Over the course of this novel, Goldberg demonstrates an impressive command of his ensemble, smoothly differentiating multiple characters and detailing their arcs through time. He always keeps the plot moving forward, even when characters turn to the past, such as Stu, who can’t let go of Bobby’s death, and Wyatt, who wishes his wife and child had followed him to the present. Moments of humor brighten the story, as when Wyatt, at length, recalls a fellow traveler correctly identifying him as a gold-rusher: “What gave it away?” Wyatt asks. The man replies, “There ain’t a stench of fish or God on ya.” At other points, Goldberg’s writing is more meditative and reaches an impressive level of emotional clarity, as when Travis considers the sea: “This ocean that brings the town life, but has taken it away too. The final resting place for his brother who went out high on bad shit. He never stood a chance, not even from birth.” The small-town setting, the family dynamics, and the abnormal circumstances of Wyatt’s arrival result in a story that blends the familiar and the supernatural in a manner that call Stephen King’s work to mind. That said, Goldberg’s book possesses a flavor all its own—a distinctive mélange of the sincere and the strange.

An offbeat and gripping novel of family pain.

Pub Date: Aug. 21, 2020

ISBN: 978-1-64396-114-9

Page Count: 329

Publisher: All Due Respect

Review Posted Online: May 29, 2020

Kirkus Reviews Issue: July 1, 2020

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FLASHLIGHT

Never sentimental, never predictable, this aptly titled novel illuminates dark passages both fictional and real.

A troubled American family suffers an insuperable loss during a year abroad.

While Choi’s latest—a domestic drama with deep roots in 75 years of geopolitics—has little in common with her previous novel, the National Book Award–winning coming-of-age story Trust Exercise (2019), it does share one characteristic with that book: Only so much can be said about its explosively twisty plot without spoilers. What’s sort of amazing is that a novel with such a locomotive of a plot—and give it a chance, because it doesn’t rev up right away—could just as reasonably be described as character-driven, devoted to unfurling the personalities and destinies of its three point-of-view characters, Serk, Anne, and Louisa Kang. Serk is an ethnic Korean born in Japan; his family was among those thrust into chaos by the regime changes of the 1940s and he ends up moving on his own to the United States to purse an academic career. There he meets Anne, a white Midwesterner whose teenage fling with a married man resulted in the birth of a son she barely saw before he was taken away; 10 years later, her marriage to Serk produces a daughter, Louisa, who’s at the center of the storm that is this novel. Though she is never a happy or easy child, her life will go from merely bad to unbearable in the middle of fourth grade, when she’s forced to go to Japan for her father’s visiting professorship. While Serk and Louisa are walking by the sea one night, something happens. The girl is found half-dead on the beach with few clear memories, and her father has disappeared; it is concluded that he has drowned. Louisa and Anne have many more challenges over the decades ahead, including serious chronic illness for Anne and a nearly disastrous college trip to Europe for Louisa, but one thing they will never have is a real connection. This is not an easy novel, but it has important things to say, and Choi is a writer you can trust to make the journey worthwhile.

Never sentimental, never predictable, this aptly titled novel illuminates dark passages both fictional and real.

Pub Date: June 3, 2025

ISBN: 9780374616373

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 8, 2025

Kirkus Reviews Issue: April 1, 2025

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  • New York Times Bestseller


  • IndieBound Bestseller

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MEXICAN GOTHIC

Fans of gothic classics like Rebecca will be enthralled as long as they don’t mind a heaping dose of all-out horror.

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Moreno-Garcia offers a terrifying twist on classic gothic horror, set in 1950s Mexico.

Inquisitive 22-year-old socialite and anthropology enthusiast Noemí Taboada adores beautiful clothes and nights on the town in Mexico City with a bevy of handsome suitors, but her carefree existence is cut short when her father shows her a disturbing letter from her cousin Catalina, who recently married fair-haired and blue-eyed Virgil Doyle, who comes from a prominent English mining family that built their now-dwindling fortune on the backs of Indigenous laborers. Catalina lives in High Place, the Doyle family’s crumbling mansion near the former mining town of El Triunfo. In the letter, Catalina begs for Noemí’s help, claiming that she is “bound, threads like iron through my mind and my skin,” and that High Place is “sick with rot, stinks of decay, brims with every single evil and cruel sentiment.” Upon Noemí’s arrival at High Place, she’s struck by the Doyle family’s cool reception of her and their unabashed racism. She's alarmed by the once-vibrant Catalina’s listless state and by the enigmatic Virgil and his ancient, leering father, Howard. Nightmares, hallucinations, and phantasmagoric dreams of golden dust and fleshy bodies plague Noemí, and it becomes apparent that the Doyles haven’t left their blood-soaked legacy behind. Luckily, the brave Noemí is no delicate flower, and she’ll need all her wits about her for the battle ahead. Moreno-Garcia weaves elements of Mexican folklore with themes of decay, sacrifice, and rebirth, casting a dark spell all the way to the visceral and heart-pounding finale.

Fans of gothic classics like Rebecca will be enthralled as long as they don’t mind a heaping dose of all-out horror.

Pub Date: June 30, 2020

ISBN: 978-0-525-62078-5

Page Count: 320

Publisher: Del Rey

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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