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TUMBLEWEEDS

Though full of groaners—“It was a drive down memory lane”—Meacham’s latest is of a piece with her past work, and sure to...

A topical soap opera from bestselling novelist Meacham (Roses, 2010, etc.), set on the familiar turf of small-town Texas.

Big hair is a big part of such places, but especially in the big-hair era of the early 1980s. Meacham captures the period details in her description of 11-year-old Cathy Benson, “her attitudes already formed by her upbringing and the ways and lifestyle of her native state”—that being California, the antipode of Kersey, Texas, with all the free-spiritedness and antinomianism that the Golden State might bring to the Lone Star State. Without really meaning to, Cathy gets inside the heads of two local boys, up-and-coming football stars for whom girls are a forbidden but irresistible attraction. What’s a quarterback to do? Well, one thing leads to another, and another, and another, and Cathy finds herself with a love bump and no place to go. Ah, but therein hangs much of the action of the book, which can be seen coming from a long way off; suffice it to say that the shotgun at book’s end isn’t necessarily meant to enforce a wedding. The plot is serviceable, the writing sometimes less so; one wonders what to do with a sentence such as, “The way he’d always thought of her had vanished as suddenly and completely as the boy’s make-believe playmate in the song ‘Puff, the Magic Dragon.’ ” Beg pardon? The soundtrack here ought to be provided by Boy George, if not Mickey Gilley. And there’s got to be a rule about expository sententiousness along the lines of “The town’s expectations were a heavy weight on their shoulders.” True enough, but no heavier than events are about to place on the lads, for all the unhappiness and convenient storyline twists that they entail.

Though full of groaners—“It was a drive down memory lane”—Meacham’s latest is of a piece with her past work, and sure to find an eager audience among romance buffs.

Pub Date: June 19, 2012

ISBN: 978-1-4555-0924-9

Page Count: 480

Publisher: Grand Central Publishing

Review Posted Online: May 23, 2012

Kirkus Reviews Issue: June 15, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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