Pulsates with hope for all the misfits.

THIS SONG WILL SAVE YOUR LIFE

Elise Dembowski is a chronic overachiever. Her project for sophomore year is to finally fit in. When this fails and Elise discovers that she is still the same as she’s always been, she makes a desperate decision—a suicide attempt—that ostracizes her even further.

After this incident, Elise takes to walking alone at night, which is how she stumbles across Start, an underground dance party. There, she meets a cast of characters who help her begin to see the light at the end of the crushingly dark and seemingly endless tunnel that is high school. Elise begins living a double life, returning each week to Start and learning to DJ. The alluring but elusive DJ Char takes her under his wing and helps her develop her talent. When a cyberbully dredges up Elise’s past and begins attacking her via a fraudulent online journal, Elise’s passion for DJ’ing becomes her refuge. Her secrets eventually become impossible to maintain, forcing her to come clean about who she is and who she wants to be. Elise is a remarkably self-aware character. Her journey toward acceptance—of others and of herself—is compelling. The supporting characters are equally well-developed, with the strengths and flaws of real people. Sales’ narrative, rich with diverse music references, reverberates with resilience.

Pulsates with hope for all the misfits. (Fiction. 14-18)

Pub Date: Sept. 17, 2013

ISBN: 978-0-374-35138-0

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 26, 2013

Kirkus Reviews Issue: July 15, 2013

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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