For fans of animal-rescue accounts and 21st-century technology.

KARL'S NEW BEAK

3-D PRINTING BUILDS A BIRD A BETTER LIFE

Using a 3-D printer, zoo employees construct a prosthesis for an injured bird.

At the Smithsonian’s National Zoo in Washington, D.C., staff members are concerned with the feeding difficulties of Karl, an Abyssinian ground hornbill living in the cheetah exhibit. Hoping to restore his ability to eat normally so they can breed him, they come up with a solution for his broken bottom beak. They mend it using a pattern from a museum skeleton and 3-D printing technology. A number of recent titles for young readers describe the work of humans to make lives better for injured or abandoned animals. Unusually, here the special focus is on the process: the complicated and painstaking repair of Karl’s lower beak, including the construction of its replacement part. Thoughtful design makes this very clear: Illustrations cleverly combine actual photographs with drawings and diagrams, printed in blue and white like blueprints. Readers see Karl in his enclosure, before-and-after close-ups, and the veterinarian, exhibits specialist, and exhibit curator (all white-presenting) who work together to restore the beak. There are also photos of the printing process as well as sanding and gluing the new bill. The straightforward text introduces the bird, explains how hornbills use their beaks in the wild, and follows the process step by step. Backmatter includes more facts about hornbills in the wild and about Karl in particular as well as a glossary with unusually helpful definitions.

For fans of animal-rescue accounts and 21st-century technology. (Informational picture book. 5-9)

Pub Date: March 1, 2019

ISBN: 978-1-68446-026-7

Page Count: 32

Publisher: Capstone Editions

Review Posted Online: Dec. 5, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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A good overview of this complex, essential organ, with an energetic seasoning of silliness.

THE BRAIN IS KIND OF A BIG DEAL

An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.

The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.

A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-338-16700-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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A refreshing dive past some of our world’s marine wonders.

THE BIG BOOK OF THE BLUE

Denizens of the deep crowd oversized pages in this populous gallery of ocean life.

The finny and tentacled sea creatures drifting or arrowing through Zommer’s teeming watercolor seascapes are generally recognizable, and they are livened rather than distorted by the artist’s tendency to place human eyes on the same side of many faces, Picasso-like. Headers such as “Ink-teresting” or “In for the krill” likewise add a playful tone to the pithy comments on anatomical features or behavioral quirks that accompany the figures (which include, though rarely, a white human diver). The topical spreads begin with an overview of ocean families (“Some are hairy, some have scales, some have fins and some are boneless and brainless!”), go on to introduce select animals in no particular order from sea horses and dragonets to penguins and pufferfish, then close with cautionary remarks on chemical pollution and floating plastic. The author invites readers as they go to find both answers to such questions as “Why does a crab run sideways?” and also a small sardine hidden in some, but not all, of the pictures. For the latter he provides a visual key at the end, followed by a basic glossary.

A refreshing dive past some of our world’s marine wonders. (index) (Informational picture book. 6-9)

Pub Date: June 5, 2018

ISBN: 978-0-500-65119-3

Page Count: 64

Publisher: Thames & Hudson

Review Posted Online: April 25, 2018

Kirkus Reviews Issue: May 15, 2018

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