Deighton returns to his longtime avocation of military history—here, by focusing on the early years of WW II. Unfortunately, the result shows precious little evidence of original research, let alone fresh perspectives. Drawing mainly on secondary sources—including his own Fighter (1978) and Blitzkrieg (1980)—Deighton offers a digressive, mildly contrarian appreciation of WW II from its onset through the moment more than two years later when the US was drawn into the global conflict. His purpose is to document the poor performance of world leaders before and during this time, as well as the bravery with which those they governed or ruled supported their manifold follies. The author's also at pains to remind his British compatriots that the sun has long since set on their empire—and that their finest hour was a very near thing. Moving backward and forward in time to provide context for his principal themes, Deighton focuses on a half-dozen big-picture events—ranging from the Battle of the Atlantic through the Nazi conquest of Europe; Mediterranean campaigns (North Africa, Greece, etc.); the early stages of aerial combat; and German's ill-advised invasion of Russia. Assessed as well are the factors that led Japan to launch its reckless attack on Pearl Harbor, thereby unleashing America's vast resources against the Land of the Rising Sun and its Axis partners. Save for brief asides on sideshows in eastern Africa and Iraq, however, the lengthy, accentuate-the-negative narrative covers ground that will be familiar to even casual students of the war's initial phase—and affords few new insights to boot. At best, then, a serviceable synthesis. (Photographs, line drawings, and maps)
Pub Date: Nov. 30, 1993
ISBN: 0-06-017000-X
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco...
Popular novelist (The Name of the Rose, 1983; Foucault's Pendulum, 1989) and notorious semiologist (at the Univ. of Bologna) Eco shows himself to be a journalist as well with this generally diverting volume of short pieces.
Eco calls these short essays diario minimo—minimal diaries—after the magazine column where he first published a series of such efforts (previously collected in Misreadings). The work presented here, much of which dates from the late '80s and early '90s, celebrates, or more often condemns, postmodern life in a style familiar to American readers. Occasional parodic fantasies in the mode of Borges or Calvino find Eco exploring the intriguing, if absurd, notion of a map in 1:1 scale, chronicling race relations in a future universe populated by humorously bizarre alien life-forms, or describing watches whose features cause one to lose track of the time. But Eco focuses on articulating his amusing complaints, analyzing our quotidian myths with light touches and lamentations that will recall Andy Rooney and Erma Bombeck—at best, an academic Mike Royko—sooner than Roland Barthes. Pieces on once-current events have been carefully excluded, but most of these essays remain essentially journalistic in their devotion to exploring contemporary life. The title piece pits Eco against an English hotel bureaucracy intent on making it difficult for him to refrigerate an expensive salmon that he has brought from Copenhagen; others mock "how-to'' essays—on fax machines and cellular telephones, for example; there are cautionary tales of encounters with Amtrak trains and Roman cabs. All have as their subtext the chaos brought in the wake of unbridled technological innovation and intercontinental travel.
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco entertains with his clever reflections and with his unique persona, the featured player in his stories.Pub Date: Oct. 1, 1994
ISBN: 0-15-100136-7
Page Count: 208
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Esposito may not tell all, but he comes close in this brutally honest, yet loyal, memoir of his days with the King. From when they met in the Army to the afternoon when he was one of the first to discover the dead body of Elvis Presley where he had collapsed from his toilet throne (Esposito was the one who raised his pajama trousers to avoid embarrassment), Presley's right-hand man was in a position to know the inside scoop. He and Oumano (Paul Newman, 1989) describe Elvis as being like a little boy who spent his wealth making himself and the people around him happy. The anecdotes are endless as this pivotal member of the ``Memphis Mafia'' comes clean on the partying Elvis's parade of girlfriends and his suitcase full of sexy videotapes and Polaroids of Priscilla (Esposito handed it to her the moment she arrived at Graceland for the funeral). Esposito tells of the Elvis who stopped passersby to give them money or gifts, who would decide suddenly that ten or so of his friends all needed Harleys to race around Bel Air, who would not flinch at buying a car for family or friends who were loyal to him, and who made an infamous visit to see President Nixon. But he also gives up the goods on the Elvis who was hopelessly self-indulgent, constantly demonstrating his dubious karate skills, buying people off with expensive gifts rather than admitting he was wrong, and finally dying a prisoner in his own bedroom, uninterested in facing new challenges and addicted to prescription drugs. Video rentals of Girls! Girls! Girls! are sure to surge so people can look for the scene in which Elvis sports an erection in his too-tight pants. While apologetic and loyalist at times, Esposito doesn't let the King off too easy. (16 pages of b&w photos, not seen) (Author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-671-79507-4
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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