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HOPE

Deighton artfully fills in more blanks in the long-running saga of British espionage agent Bernard Samson, the protagonist in two earlier trilogies and the featured attraction of this sequel to Faith (1995). It's the fall of 1987, and Bernard has taken arms against a sea of troubles. His wife Fiona (a fellow spy)—now back from East Germany, where she penetrated the Stasi as a sham defector—is behaving oddly, and her return has obliged him to dump Gloria, a luscious Hungarian operative with whom he's been making soul- satisfying whoopee. Meanwhile, Bernard's brother-in-law George Kosinski has gone missing. Married to Fiona's sister Tessa (apparently killed in Berlin during the former's flight back to the West), George is a wealthy, first-generation Englishman of affairs. His disappearance triggers alarms and excursions at London Central, where Bernard's Oxbridge-educated masters decree that the suspected runaway must be located. With inept assistance from his twitty but ruthlessly ambitious boss, Dickey Cruyer, Bernard tracks his quarry through the back alleys of Zurich and Warsaw to a down-at-heels estate near the Polish/Russian frontier, where the elusive George still has family. Presented with grisly physical evidence of George's death, the credulous Dickey calls a halt to the search. Once back in the UK, Bernard (who puts no stock in the official version of George's fate) is reassigned to his old stamping ground in Berlin, where the opposition takes its best shot at him. Recalled to London after George's been spotted alive and well in the homeland of his parents, world-weary Bernard goes back to winter-bound Poland to oversee a daring extraction designed to bring him and a suspected turncoat home free. Vivid, class-conscious characters whose fond pageants play out amidst the workaday deceits of the intelligence game, plus plot twists and violent action galore: one of the more absorbing entries in Deighton's ongoing series. (First printing of 70,000; Literary Guild alternate selection; $175,000 ad/promo)

Pub Date: Jan. 3, 1996

ISBN: 0-06-017696-2

Page Count: 320

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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