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CHARITY

The final volume in the third of Deighton's Cold War trilogies to feature Bernard Samson, the star-crossed British intelligence agent who has yet to wear out his welcome. Back from a couple of enervating sojourns behind the Iron Curtain at the start of 1988 (Hope, 1996), Bernard (assistant to MI6's Berlin Resident) once again makes a nuisance of himself by digging into the death of his sister-in-law Tessa. The lost lady was killed in a shootout prior to the extraction from East Germany of Bernard's wife Fiona (a fellow spy who had infiltrated the Stasi as a counterfeit traitor). Assuming London Central ordered Tessa's murder to provide a corpse that would convince DDR authorities that Fiona had died in an abortive effort to return her to the West, the seasoned field-agent begins raking up a past his superiors want to forget. Among those he importunes for information are Silas Gaunt (a nominally retired but still legendary figure in the UK's espionage community), Jim Prettyman (a venal, terminally ill colleague), and Werner Volkman (a lifelong friend who handles spot assignments for SIS). Initially, Bernard makes little headway in his inquiries. Eventually, though, the tangled web begins to unravel, the conspiracy to make sense. The tension builds nicely as Bernard leverages his hard-won knowledge and forces the tawdry supporting players to take violent action. The devious principals remain behind the scenes until upper-echelon disclosures at a closed-door meeting in Berlin confirm Bernard's suspicions about their gratuitously duplicitous roles. At which point, the department's deputy director bleakly concludes that a particularly heinous act was, if not a perfect crime, at least a perfect solution. Bernard Samson gives another fine account of himself, earning a substantive measure of professional and personal redemption. Even so, almost 18 months remain on Deighton's narrative calendar before the Berlin Wall comes down, suggesting to optimists that the author has world enough and time for more trilogies. ($100,000 ad promo)

Pub Date: Dec. 18, 1996

ISBN: 0-06-018728-X

Page Count: 304

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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SEA OF GREED

Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.

The latest maritime thriller in the NUMA series starring Kurt Austin (The Rising Sea, 2018, etc.)

In 1968, the French submarine Minerve sinks without a trace in the Mediterranean. In the present day, an oil rig explodes in the Gulf of Mexico, killing and badly injuring many workers. Enter Kurt Austin, head of Special Projects at the National Underwater Marine Agency. Kurt leads a team that assists in marine emergencies, so they respond to the Mayday call and quickly find a stream of underwater flame—escaping gas is burning in the water, down “as far as the eye could see.” It’s a fire that needs no oxygen, a phenomenon Kurt’s team has never seen. NUMA calls the disaster clear-cut sabotage, and Kurt’s assignment is to find the guilty party. Said party is Tessa Franco, CEO of Novum Industria, who is busily sabotaging oil production around the world. She wants to promote her new fuel cell to replace “this mad reliance on fossil fuels” and become even more stinking rich than she already is. She has “infected half the world’s major oil fields” by pumping oil-eating bacteria into them, rendering them useless. “She is the oil crisis,” Kurt tells the president. Kurt's and Tessa’s teams race to locate the Minerve, which may have critical genetic research Israel commissioned half a century ago. There are great action scenes underwater and on the surface, where Tessa’s seaplane, the Monarch, is almost as big as a 747. Rotten to the core, Tessa wants her lackeys to “get rid of Austin once and for all.” Her odds look mighty good considering the firepower she brings to bear.

Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.

Pub Date: Nov. 6, 2018

ISBN: 978-0-7352-1902-1

Page Count: 416

Publisher: Putnam

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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CROSS HER HEART

Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...

In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.

On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”

Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-285679-1

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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