A supercalifragilisticexpialidocious start to a new Regency series.
A charming governess is hired to tame a duke’s children, but he needs her lessons more than they do.
After arriving 15 minutes late to an interview at Mrs. Trilby’s Agency for Superior Governesses and losing her chance at a job, Miss Mari Perkins is desperate—desperate enough to lie to a duke whose children have chased away four governesses in two months, as she learns by eavesdropping. Scared of returning to the awful orphanage she grew up in, she heads to the house of Edgar Rochester, Duke of Banksford, and presents herself as the new governess for his twins. Her ruse works, although she must “bluster her way” into the position. The preoccupied duke is also desperate, needing a governess who can keep up with Michel and Adele, the recently-discovered products of his youthful affair with a poetess. He is instantly infatuated with Mari, although his disgust with his late father’s habits of taking liberties with servants causes him to try to put distance between them right away. Mari wants to stay away from Edgar as well, as she's eager for time to investigate the truth about her own parents before her subterfuge is discovered, but she's continually distracted by her longing for the rigid duke, and it's not long before they're in each other's arms. In the first entry in her new School for Dukes series, Bell (Blame It on the Duke, 2017, etc.) reimagines the story of Mary Poppins for the Regency era, with delightful results that go beyond the typical fairy tale. In portraying society’s reaction to Mari and her charges, Bell offers a heartbreaking look at the cruelties that faced orphans and bastards, making Edgar’s attempts to protect the three of them all the more meaningful. Several steamy scenes—including a memorable one in the duke’s office—add passion to the otherwise sweet family story. Edgar’s unconventional sister, Lady India, steals many of the scenes in which she appears, and readers will be happy to discover she’s the star of the next School for Dukes book.
A supercalifragilisticexpialidocious start to a new Regency series.Pub Date: March 27, 2018
ISBN: 978-0-06-269248-1
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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