by Lenore Hart ‧ RELEASE DATE: Jan. 8, 2008
As characterized here, Becky doesn’t earn the equal time she clamors for.
A supporting character in Twain’s The Adventures of Tom Sawyer gets her own novel.
Reviewing her past at 70, Becky Thatcher means to set the record straight. She wasn’t the prissy crybaby portrayed in her old schoolmate Sam Clemens’s bestselling book. She wasn’t just rascally Tom Sawyer’s schoolyard crush—she was his lover and the mother of his child. She was a tomboy who snuck out at night to tail Tom and Huck Finn on their mischief missions around Hannibal, Mo. And Clemens got it wrong about that graveyard murder. Muff Potter, not Injun Joe, was the culprit, and Becky’s first rupture with Tom happened because he inculpated Joe. Grown-up Becky marries Tom’s cousin Sid. Tom pilots riverboats and Huck skulks around Hannibal, a human cipher. When Sid enlists to fight, and Missouri is ravaged by Civil War shortages and marauding gangs, Becky helps her father, Judge Thatcher, escape arrest for treason. Her infant son Tyler has died, leaving only Gage, her son conceived in a tryst with Tom—a secret she withholds from Sid. Dressing as a soldier, Becky follows the troops and rescues Sid. On their return to Hannibal they witness a steamboat explosion in which Tom is lost. The couple head west to join the Nevada gold rush. Sid discovers a rich silver vein, but is killed by vigilantes. Now a wealthy widow, Becky journeys with Gage and her new daughter by Sid to San Francisco. Encouraged by Sam, she becomes a newspaperwoman. But Becky still yearns for Tom and regrets deceiving Sid. A telegraph from Hannibal reveals that Tom is alive, but desperately ill in Panama, where he and Huck had gone for their latest adventure. Becky must follow them one last time. Feisty Becky and charismatic Tom are still, in Hart’s retelling, unable to transcend their Twain-fostered public images. Huck’s best friends ultimately appear to be as unknowable as he is.
As characterized here, Becky doesn’t earn the equal time she clamors for.Pub Date: Jan. 8, 2008
ISBN: 978-0-312-37327-6
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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by Arundhati Roy ‧ RELEASE DATE: May 1, 1997
In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a...
A brilliantly constructed first novel that untangles an intricate web of sexual and caste conflict in a vivid style reminiscent of Salman Rushdie's early work.
The major characters are Estha and Rahel, the fraternal twin son and daughter of a wealthy family living in the province of Kerala. The family's prosperity is derived from a pickle factory and rubber estate, and their prideful Anglophilia essentially estranges them from their country's drift toward Communism and their ``inferiors' '' hunger for independence and equality. The events of a crucial December day in 1969—including an accidental death that may have been no accident and the violent consequences that afflict an illicit couple who have broken "the Love Law''—are the moral and narrative center around which the episodes of the novel repeatedly circle. Shifting backward and forward in time with effortless grace, Roy fashions a compelling nexus of personalities that influence the twins' "eerie stealth'' and furtive interdependence. These include their beautiful and mysteriously remote mother Ammu; her battling "Mammachi'' (who runs the pickle factory) and "Pappachi'' (an insufficiently renowned entomologist); their Oxford-educated Marxist Uncle Chacko and their wily "grandaunt'' Baby Kochamma; and the volatile laborite "Untouchable'' Velutha, whose relationship with the twins' family will prove his undoing. Roy conveys their explosive commingling in a vigorous prose dominated by odd syntactical and verbal combinations and coinages (a bad dream experience during midday nap-time is an "aftermare'') reminiscent of Gerard Manly Hopkins's "sprung rhythm,'' incantatory repetitions, striking metaphors (Velutha is seen ``standing in the shade of the rubber trees with coins of sunshine dancing on his body'') and sensuous descriptive passages (``The sky was orange, and the coconut trees were sea anemones waving their tentacles, hoping to trap and eat an unsuspecting cloud'').
In part a perfectly paced mystery story, in part an Indian Wuthering Heights: a gorgeous and seductive fever dream of a novel, and a truly spectacular debut. (First serial to Granta)Pub Date: May 1, 1997
ISBN: 0-679-45731-3
Page Count: 368
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
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SEEN & HEARD
by Bernard Cornwell ‧ RELEASE DATE: Nov. 26, 2019
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.
Plenty of gore from days of yore fills the 12th entry in Cornwell’s The Last Kingdom series (War of the Wolf, 2018, etc.).
The pagan warlord Uhtred of Bebbanburg narrates his 10th-century adventures, during which he hacks people apart so that kingdoms might be stitched together. He is known to some as the Godless or the Wicked, a reputation he enjoys. Edward, King of Wessex, Mercia, and East Anglia is gravely ill, and Uhtred pledges an oath to likely heir Æthelstan to kill two rivals, Æthelhelm and “his rotten nephew,” Ælfweard, when the king dies. Uhtred’s wife, Eadith, wants him to break that oath, but he cannot live with the dishonor of being an oathbreaker. The tale seems to begin in the middle, as though the reader had just turned the last page in the 11th book—and yet it stands alone quite well. Uhtred travels the coast and the river Temes in the good ship Spearhafoc, powered by 40 rowers struggling against tides and currents. He and his men fight furious battles, and he lustily impales foes with his favorite sword, Serpent-Breath. “I don’t kill the helpless,” though, which is one of his few limits. So, early in the story, when a man calling himself “God’s chosen one” declares “We were sent to kill you,” readers may chuckle and say yeah, right. But Uhtred faces true challenges such as Waormund, “lord Æthelhelm’s beast.” Immense bloodletting aside, Cornwell paints vivid images of the filth in the Temes and in cities like Lundene. This is mainly manly fare, of course. Few women are active characters. The queen needs rescuing, and “when queens call for help, warriors go to war.” The action is believable if often gruesome and loathsome, and it never lets up for long.
This is historical adventure on a grand scale, right up there with the works of Conn Iggulden and Minette Walters.Pub Date: Nov. 26, 2019
ISBN: 978-0-06-256321-7
Page Count: 336
Publisher: HarperCollins
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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