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SHE FELL AWAY

A perfect balance of old style and new, high art and low. Here’s hoping there’s a sequel.

A unique investigator, an unusual setting, and a high-stakes, well-crafted mystery.

Lake Harlowe knows the burden of trying to outrun a traumatic past. Maybe this is what led her to join the foreign service, where she works to support American citizens who travel abroad and run into any kind of trouble. Her previous post in Phnom Penh just a few weeks behind her, Lake is beginning to lean into her new appointment in Wellington, New Zealand, when she receives a death notification for a wealthy American, seemingly from an accidental overdose. Her call to his family, who owns the Trophy casino in Las Vegas, is combative and volatile, and leaves her spent—until she gets a call that another young American, also from Las Vegas and with ties to the Trophy, has gone missing: Bowie Bishop, an aspiring musician. Through emotional phone calls with Bowie’s mother, the aging rocker-turned-cocktail-waitress Suzie, and her own investigation into the people closest to Bowie—her host family in Wellington; a dashing local musician with whom she shared the stage a time or two; an American expatriate music producer—Lake finds herself drawn deeper and deeper into something dark that may have already swallowed Bowie whole. Having grown up in a cult in Alaska, Lake is no stranger to darkness, and she has closed herself off from making personal connections outside of her irascible three-legged cat. But something about Bowie’s case gets under her skin—as does handsome Kiwi police officer Mason Yates. In tone as well as character, Nash successfully builds a modern noir here. Lake, like any good noir detective, desperately tries to armor herself against hurt, but it’s her vulnerability and woundedness that makes her good at her job. It’s also her (or Nash’s) poetic way with descriptions and metaphors that echo masters of the genre like Chandler: “I close my eyes and corpses wash across the darkness like nightmare northern lights.”

A perfect balance of old style and new, high art and low. Here’s hoping there’s a sequel.

Pub Date: March 10, 2026

ISBN: 9781668098370

Page Count: 352

Publisher: Emily Bestler/Atria

Review Posted Online: Dec. 20, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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