by Leo Dillon & Diane Dillon & illustrated by Leo Dillon & Diane Dillon ‧ RELEASE DATE: Sept. 1, 2007
The Dillons deliver their take on one of children’s publishing trends du jour. Imagining a “dream band” made of actual jazz greats—some of whom actually played together—the authors paint stylized, affectionate portraits of eight artists—including Miles Davis, Thelonious Monk and Ella Fitzgerald—playing in a room full of seated, enthralled fans, young and old. Below each double spread, couplets run across a uniform border of white space. The unremitting end rhymes sometimes subvert scansion, and the anonymous narrator’s purported emotional involvement in the evening seems stilted. The choice of Stanley Clarke as the bass player seems odd, since he’s more than a generation this side of the other musicians; and the “guest with guitar” is neither named nor featured in the backmatter’s brief biographies. While the handsome paintings’ fidelity to the musicians’ likenesses is mainly irreproachable, the depictions of Ella vary considerably from spread to spread, never really capturing her essence. A CD (on which the authors introduce the instruments and a band and singer do the book’s lyrics as a jazz tune) is included. (Picture book. 5-8)
Pub Date: Sept. 1, 2007
ISBN: 978-0-590-47893-9
Page Count: 40
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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by Leo Dillon & Diane Dillon ; illustrated by Leo Dillon & Diane Dillon
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by William Miller & illustrated by Rodney Pate ‧ RELEASE DATE: May 1, 2004
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
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by William Miller & illustrated by Leonard Jenkins
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by Dolly Parton & Erica S. Perl ; illustrated by MacKenzie Haley ‧ RELEASE DATE: Oct. 1, 2024
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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by Dolly Parton with Erica S. Perl ; illustrated by MacKenzie Haley
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