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SOCIALCIDE

HOW AMERICA IS LOVING ITSELF TO DEATH

Passionate and provocative, with or without devilment.

A New Jersey clinical social worker warns against a satanically orchestrated, technology-driven narcissistic evil overtaking an increasingly godless country.

Battenhausen (Defeating Depression: The Calm and Sense Way to Find Happiness and Satisfaction, 2011) defines Socialcide as loving ourselves to death and says that Satan has been on a roll since 1978—“the year the beast and the creator of Socialcide signed his plan to seduce people into killing themselves emotionally, and destroying all that is good and loving in the world.” That was the year, he notes, of the first home video games and cellular mobile phones—the devil’s tools for spreading narcissism. “[P]eople born between 1978 and 2000 are more narcissistic than people born into every other generation in history,” he laments. Common social virtues, basic morality, face-to-face communication and caring about others have been swept aside as the self-absorbed young immerse themselves in cyber realms. The plan is to “[s]top communication and replace it with technology,” Battenhausen says, and to turn people into machines. Some of these terminally narcissistic imps, stripped of humanity, will and have become monsters. He offers as examples young mass murderers—the worst of the worst from Columbine to Sandy Hook—with penchants for creepy websites and violent video games. Others, sinking deeper into narcissistic cocoons, resent that their superiority is not recognized. They are disrespectful to teachers and contemptuous of parents who may themselves be narcissists and uninvolved in their children’s lives. And there is no God anywhere. Even without accepting Battenhausen’s fundamental thesis that Satan is running the show, it’s hard to argue with his powerfully presented case that too many children are growing up in horribly dysfunctional ways. This eminently readable but overlong book could be cut by a hundred pages without damage to the author’s message that belief in God and better parenting are the only salvation. Dogs, as it turns out, loom large in the author’s appraisal of what’s still good in the world. Dog is God spelled backward for a reason, he suggests. And does the slavish adoration we get from these creatures feed our narcissism? Clearly the author, who has four Saint Bernards, doesn’t think so.

Passionate and provocative, with or without devilment.

Pub Date: Oct. 7, 2014

ISBN: 978-1939761279

Page Count: 484

Publisher: Faith Books and More

Review Posted Online: Dec. 23, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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