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THE BOY ON THE WOODEN BOX

HOW THE IMPOSSIBLE BECAME POSSIBLE...ON SCHINDLER'S LIST

Significant historical acts and events are here put into unique perspective by a participant.

A posthumous Holocaust memoir from the youngest person on Oskar Schindler’s list.

Completed before his death in January 2013, Leyson’s narrative opens with glowing but not falsely idyllic childhood memories of growing up surrounded by friends and relatives in the Polish village of Narewka and then the less intimate but still, to him, marvelous city of Kraków. The Nazi occupation brought waves of persecution and forced removals to first a ghetto and then a labor camp—but since his father, a machinist, worked at the enamelware factory that Schindler opportunistically bought, 14-year-old “Leib” (who was so short he had to stand on the titular box to work), his mother and two of his four older siblings were eventually brought into the fold. Along with harrowing but not lurid accounts of extreme privation and casual brutality, the author recalls encounters with the quietly kind and heroic Schindler on the way to the war’s end, years spent at a displaced-persons facility in Germany and, at last, emigration to the United States. Leyson tacks just a quick sketch of his adult life and career onto the end and closes by explaining how he came to break his long silence about his experiences. Family photos (and a picture of the famous list with the author’s name highlighted) add further personal touches to this vivid, dramatic account.

Significant historical acts and events are here put into unique perspective by a participant. (Memoir. 11-14)

Pub Date: Aug. 27, 2013

ISBN: 978-1-4424-9781-8

Page Count: 240

Publisher: Atheneum

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE CIVIL WAR AT SEA

In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)

Pub Date: March 1, 2001

ISBN: 0-7613-1553-5

Page Count: 80

Publisher: Twenty-First Century/Millbrook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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THANKSGIVING

THE TRUE STORY

After surveying “competing claims” for the first Thanksgiving from 1541 on, in Texas, Florida, Maine, Virginia and Massachusetts, Colman decides in favor of the 1621 event with the English colonists and Wampanoag as the first “because the 1621 event was more like the Thanksgiving that we celebrate today.” She demonstrates, however, that the “Pilgrim and Indian” story is really not the antecedent of Thanksgiving as we celebrate it today. Rather, two very old traditions—harvest festivals and days of thanksgiving for special events—were the origin, and this interesting volume traces how the custom of proclaiming a general day of thanksgiving took hold. Yet, since many Thanksgiving celebrations in towns and schools are still rooted in the “Pilgrim and Indian” story, which the author calls “true and important,” but which many Native Americans find objectionable, a more in-depth discussion of it is warranted here. The solid bibliography does include some fine resources, such as 1621: A New Look at Thanksgiving (2001) by Catherine O’Neill Grace and Margaret M. Bruchac. (author’s note, chronology, index) (Nonfiction. 8-12)

Pub Date: Sept. 1, 2008

ISBN: 978-0-8050-8229-6

Page Count: 160

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2008

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