An invaluable document of history as well as a riveting literary narrative, spirited out of France by Saint-Exupéry yet...
An extraordinary account of a French couple’s fleeing of Paris just in front of the Germans in June 1940, followed by a despairing stint among some eagerly appeasing villagers.
A kind of magical thinking takes place in the mind of this first-person narrator as he and his wife were mired in a German-occupied village on their way south by car from Paris. A novelist and journalist who experienced the trench warfare in World War I, Werth (1878-1955) addresses this account to his best friend, pilot and author Antoine de Saint-Exupéry, as a way of establishing facts without elaboration. These facts indeed grow increasingly nonsensical. Moving in a daze of denial, the narrator admits that he was “in no hurry to leave” Paris, yet on the advice of “A,” he decided to put “sixty kilometers between the Germans and us.” The road south was clogged, as cars broke down, people drove wagons pulled by horses, and pedestrians were able to walk faster than the caravan—many of the limping, downtrodden pedestrians were the routed French soldiers. News was fluid, but gossip about the Germans’ actual location was rampant, and angry cries of “France is betrayed!” were common—though the narrator wanted to ask: by whom? Hoping to reach and cross the Loire but thwarted by Germans swarming over the countryside, the narrator and his wife (as well as their nanny, who disappears at some point in the narrative) moved from a hospitable farming family in Chapelon to shelter with a horrifying pair of German-speaking farm wives in Les Douciers, where the narrator watched in a “hallucinatory” moment as one offered the invading Germans champagne. Returned to Chapelon, Werth chronicles strange, intimate encounters between the French and Germans in moving, vivid detail.
An invaluable document of history as well as a riveting literary narrative, spirited out of France by Saint-Exupéry yet somehow "lost."Pub Date: May 12, 2015
ISBN: 978-1-61219-425-7
Page Count: 144
Publisher: Melville House
Review Posted Online: March 19, 2015
Kirkus Reviews Issue: April 1, 2015
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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