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YOU CAN'T SAY THAT!

WRITERS FOR YOUNG PEOPLE TALK ABOUT CENSORSHIP, FREE EXPRESSION, AND THE STORIES THEY HAVE TO TELL

A calm, cohesive take on a hot-button issue.

Thirteen prominent authors of children’s and young adult literature talk about one thing they all have in common: All have been the targets of attempts to ban or remove their work from schools and libraries.

Editor Marcus, a noted scholar who interviewed each writer, focuses his introduction on the history of censorship, including a simplistic summation of controversies around Adventures of Huckleberry Finn that spells out the N-word. Each author discusses their work, their personal history, and the reasons why they’ve been censored. Some, like Robie H. Harris and Susan Kuklin, came under attack for discussing sexuality and gender identity. Others, like Angie Thomas and Katherine Paterson, met with objections to swearing (in Thomas’ case, likely a cover for objections to political content). R.L. Stine faced accusations of his books’ promoting the occult. All the authors are positioned as important, powerful voices attacked by conservative censors, and the title may leave readers with the belief that any and all objections are equally wrong. Not taken into account are the subjects of librarians’ weeding collections of titles that may contain offensive stereotypes or booksellers’ deciding whether to stock books criticized for representation seen as harmful. While the text is accessible to middle schoolers, the content may be more interesting for adults in education and the publishing industry, though it disappointingly lacks a fully balanced spectrum of views and sacrifices complexity for a uniform message.

A calm, cohesive take on a hot-button issue. (source notes, selected reading, index) (Nonfiction. 13-adult)

Pub Date: July 13, 2021

ISBN: 978-0-7636-9036-6

Page Count: 240

Publisher: Candlewick

Review Posted Online: May 16, 2021

Kirkus Reviews Issue: June 1, 2021

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THE NEW QUEER CONSCIENCE

From the Pocket Change Collective series

Small but mighty necessary reading.

A miniature manifesto for radical queer acceptance that weaves together the personal and political.

Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.

Small but mighty necessary reading. (resources) (Nonfiction. 14-18)

Pub Date: June 2, 2020

ISBN: 978-0-593-09368-9

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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