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CATHERINE DE MEDICI

RENAISSANCE QUEEN OF FRANCE

Persuasive rehabilitation of Catherine, not as a nice woman, but as a shrewd leader who did what she had to.

Scholarly but lively biography of the Italian-born queen who ruled France as regent during 30 years of bitter religious warfare.

Catherine (1519–89) was only 14 when she married the French Dauphin (crowned Henri II in 1547), but she’d already been very nearly murdered by opponents of her cousin Pope Clement VII. Being scorned by the French nobility as an Italian upstart merely sharpened the political skills of a young woman who wasn’t pretty but had learned how to be charming—and how to keep her thoughts to herself. Yet Catherine’s centuries-old reputation as a murderous schemer is undeserved, argues first-time biographer Frieda: ruthless, yes, but no more brutal than anyone else embroiled in the struggle between Catholics and Protestants that racked 16th-century France and threatened to destroy the Valois dynasty. Henri’s untimely death in 1459 left Catherine with a ten-year-old son on the throne; two more underage sons would inherit the crown while she checked the ambitions of the powerful Guise and Bourbon families. Yes, Frieda acknowledges, Catherine did plan the 1572 assassination of leading French Huguenots that has tarnished her name ever since, but the St. Bartholomew’s Day Massacre was “intended as a relatively small-scale surgical operation,” though the passions of the Catholic masses turned it into a full-scale bloodbath. In fact, Frieda demonstrates, Catherine was a religious moderate who repeatedly offered toleration to the Huguenots until she became convinced they weren’t just heretics but traitors. Seven months after Catherine’s death, fellow pragmatist Henri de Bourbon abjured Protestantism and ascended the throne and, with the 1598 Edict of Nantes, ended the nation’s fratricidal conflict. If any of her sons had been that adept, Catherine would be remembered as a patron of the arts, enthusiastic huntswoman, and thrower of great parties instead of “the Black Queen” of St. Bartholomew’s Day.

Persuasive rehabilitation of Catherine, not as a nice woman, but as a shrewd leader who did what she had to.

Pub Date: Jan. 21, 2005

ISBN: 0-06-074492-8

Page Count: 464

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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