by Leonie Frieda ‧ RELEASE DATE: Jan. 21, 2005
Persuasive rehabilitation of Catherine, not as a nice woman, but as a shrewd leader who did what she had to.
Scholarly but lively biography of the Italian-born queen who ruled France as regent during 30 years of bitter religious warfare.
Catherine (1519–89) was only 14 when she married the French Dauphin (crowned Henri II in 1547), but she’d already been very nearly murdered by opponents of her cousin Pope Clement VII. Being scorned by the French nobility as an Italian upstart merely sharpened the political skills of a young woman who wasn’t pretty but had learned how to be charming—and how to keep her thoughts to herself. Yet Catherine’s centuries-old reputation as a murderous schemer is undeserved, argues first-time biographer Frieda: ruthless, yes, but no more brutal than anyone else embroiled in the struggle between Catholics and Protestants that racked 16th-century France and threatened to destroy the Valois dynasty. Henri’s untimely death in 1459 left Catherine with a ten-year-old son on the throne; two more underage sons would inherit the crown while she checked the ambitions of the powerful Guise and Bourbon families. Yes, Frieda acknowledges, Catherine did plan the 1572 assassination of leading French Huguenots that has tarnished her name ever since, but the St. Bartholomew’s Day Massacre was “intended as a relatively small-scale surgical operation,” though the passions of the Catholic masses turned it into a full-scale bloodbath. In fact, Frieda demonstrates, Catherine was a religious moderate who repeatedly offered toleration to the Huguenots until she became convinced they weren’t just heretics but traitors. Seven months after Catherine’s death, fellow pragmatist Henri de Bourbon abjured Protestantism and ascended the throne and, with the 1598 Edict of Nantes, ended the nation’s fratricidal conflict. If any of her sons had been that adept, Catherine would be remembered as a patron of the arts, enthusiastic huntswoman, and thrower of great parties instead of “the Black Queen” of St. Bartholomew’s Day.
Persuasive rehabilitation of Catherine, not as a nice woman, but as a shrewd leader who did what she had to.Pub Date: Jan. 21, 2005
ISBN: 0-06-074492-8
Page Count: 464
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
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BOOK TO SCREEN
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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