LOOK SEE, LOOK AT ME!

A joyful celebration of a toddler’s new capabilities. A little boy proudly proclaims all the things he can do since he’s turned three. He jumps, hops, wiggles, cuddles, giggles, climbs and crows from an adult’s shoulders: “See, I’m bigger, I’m high as can be, / I’m so much bigger now I’m three.” The text could describe a child from almost any culture or country, but the pictures clearly set the story in an aboriginal community in Australia. Rich reds and browns dominate the dynamic illustrations created with pastels on colored paper. For the most part, the landscape is sparse, populated by only a few buildings and scattered trees in the background. Foregrounded is a community in which children actively explore an expansive natural world while supportive adults lend them an occasional hand and scoop them in for cuddles. Pair this with I Can Do It Too, by Karen Baicker and illustrated by Ken Wilson-Max (2003), or I Can Do It Myself!, by Diane Adams and illustrated by Nancy Hayashi (2009), for a triple celebration of toddlers’ and preschoolers’ increasing independence. (Picture book. 2-4)

Pub Date: Jan. 1, 2011

ISBN: 978-1-74175-883-2

Page Count: 32

Publisher: Allen & Unwin

Review Posted Online: Dec. 25, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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The joys of counting combine with pretty art and homage to Goodnight Moon.

GOODNIGHT, NUMBERS

This bedtime book offers simple rhymes, celebrates the numbers one through 10, and encourages the counting of objects.

Each double-page spread shows a different toddler-and-caregiver pair, with careful attention to different skin tones, hair types, genders, and eye shapes. The pastel palette and soft, rounded contours of people and things add to the sleepy litany of the poems, beginning with “Goodnight, one fork. / Goodnight, one spoon. / Goodnight, one bowl. / I’ll see you soon.” With each number comes a different part in a toddler’s evening routine, including dinner, putting away toys, bathtime, and a bedtime story. The white backgrounds of the pages help to emphasize the bold representations of the numbers in both written and numerical forms. Each spread gives multiple opportunities to practice counting to its particular number; for example, the page for “four” includes four bottles of shampoo and four inlaid dots on a stool—beyond the four objects mentioned in the accompanying rhyme. Each home’s décor, and the array and types of toys and accoutrements within, shows a decidedly upscale, Western milieu. This seems compatible with the patronizing author’s note to adults, which accuses “the media” of indoctrinating children with fear of math “in our country.” Regardless, this sweet treatment of numbers and counting may be good prophylaxis against math phobia.

The joys of counting combine with pretty art and homage to Goodnight Moon. (Picture book. 2-4)

Pub Date: March 7, 2017

ISBN: 978-1-101-93378-7

Page Count: 40

Publisher: Crown

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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A multilayered, endearing treasure of a day.

MY DAY WITH GONG GONG

Spending a day with Gong Gong doesn’t sound like very much fun to May.

Gong Gong doesn’t speak English, and May doesn’t know Chinese. How can they have a good day together? As they stroll through an urban Chinatown, May’s perpetually sanguine maternal grandfather chats with friends and visits shops. At each stop, Cantonese words fly back and forth, many clearly pointed at May, who understands none of it. It’s equally exasperating trying to communicate with Gong Gong in English, and by the time they join a card game in the park with Gong Gong’s friends, May is tired, hungry, and frustrated. But although it seems like Gong Gong hasn’t been attentive so far, when May’s day finally comes to a head, it is clear that he has. First-person text gives glimpses into May’s lively thoughts as they evolve through the day, and Gong Gong’s unchangingly jolly face reflects what could be mistaken for blithe obliviousness but is actually his way of showing love through sharing the people and places of his life. Through adorable illustrations that exude humor and warmth, this portrait of intergenerational affection is also a tribute to life in Chinatown neighborhoods: Street vendors, a busker playing a Chinese violin, a dim sum restaurant, and more all combine to add a distinctive texture. 

A multilayered, endearing treasure of a day. (glossary) (Picture book. 4-8)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-429-0

Page Count: 36

Publisher: Annick Press

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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Out of all the titles in the series, Goldilocks’ adventures are the most cogent and age-appropriate.

GOLDILOCKS AND THE THREE BEARS

From the Les Petit Fairytales series

The flaxen-haired tyke makes her infamous visit to the bears’ house in this simplified adaptation.

The classic story is told with minimal text, one or two words per double-page spread. Goldilocks uses speech bubbles to describe the porridge, chairs and beds (“Too hot. / Too cold. / Just right”). The bears look bemused when they find the girl snoozing in Baby Bear’s bed, and they offer an amicable and winsome goodbye when she dashes off. The richly colored cartoons, likely created with the aid of a computer, present friendly-looking characters with oversize heads. The companion release is a stripped-down version of “Little Red Riding Hood” following the same format and style, right down to the sparkly heroine’s outfit and glittery letters employed on the cover. Youngsters unfamiliar with the story may need adult help to understand that the friendly, cross-dressing wolf has actually swallowed Grandma, since all the readers see is a “Woodsman” examining the wolf’s teeth and then sending the predator away in shame.

Out of all the titles in the series, Goldilocks’ adventures are the most cogent and age-appropriate. (Board book. 2-4)

Pub Date: Feb. 25, 2014

ISBN: 978-0-8050-9912-6

Page Count: 26

Publisher: Henry Holt

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: July 1, 2014

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