A significant, spirited analysis sure to be embraced by feminists and deserving of wide attention.
An enthusiastic update on the state of female sexual liberation in contemporary society.
Fifteen years after her well-received book on sexual stereotyping, Slut! Growing Up Female with a Bad Reputation (1999), grass-roots feminist Tanenbaum (Taking Back God: American Women Rising Up for Religious Equality, 2008, etc.) still bristles at the “contradictory landscape in which females are applauded for sexual audacity when they’re not being humiliated and disgraced.” As the Internet’s omnipresence continues to realign attitudes regarding what constitutes appropriate behavioral standards, the author revisits former arguments on issues of female empowerment and verbal sexual harassment, refreshing her research with new interviews with girls on the frontlines of name-calling and bullying. She updates readers on what has changed on the name-calling landscape, noting that the term “slut” has “metastasized” outward throughout our culture, with girls often reclaiming the term to defuse it in mutual conversation. Tanenbaum makes potent use of the anecdotal material she’s collected from a wide variety of young women, mostly students, which makes the text useful for concerned educators. Their experiences illustrate the viciousness of social mudslinging, which takes the form of online and direct-contact verbal bullying (“slut-bashing”) and diffused, casual judgmentalism (“slut-shaming”). The “razor-thin” contradictory line between “sexy” and “slutty” shows up in the most provocative chapter, which depicts girls who ineffectively attempt to be sartorially sultry while avoiding male sexualization or worse, rape. In the final chapters, Tanenbaum arms parents and budding professional women with helpful, if somewhat canned, advice addressing modern society’s “sexual double standard” and how to avoid becoming a victim of harassment. In a reliably approachable tone, the author seeks to empower and not chastise, optimistically promoting the incremental elimination of societal slut-shaming with education and the self-actualization of young women.
A significant, spirited analysis sure to be embraced by feminists and deserving of wide attention.Pub Date: Feb. 3, 2015
ISBN: 978-0062282590
Page Count: 416
Publisher: Perennial/HarperCollins
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An occasionally brilliant, hit-or-miss grab bag of pop-culture criticism.
Essayist, novelist and pop-culture guru Gay (An Untamed State, 2014, etc.) sounds off on the frustrating complexities of gender and race in pop culture and society as a whole.
In this diverse collection of short essays, the author launches her critical salvos at seemingly countless waves of pop-cultural cannon fodder. Although the title can be somewhat misleading—she’s more of an inconsistent or conflicted feminist—the author does her best to make up for any feminist flaws by addressing, for instance, the disturbing language bandied about carelessly in what she calls “rape culture” in society—and by Gay’s measure, this is a culture in which even the stately New York Times is complicit. However, she makes weak attempts at coming to terms with her ambivalence toward the sort of violent female empowerment depicted in such movies as The Hunger Games. Gay explores the reasons for her uneasiness with the term “women’s fiction” and delivers some not-very-convincing attempts to sort out what drives her to both respect and loathe a femalecentric TV show like Lena Dunham’s Girls. Although generally well-written, some of these gender-studies essays come off as preachy and dull as a public service announcement—especially the piece about her endless self-questioning of her love-hate relationship with the tacky female-submission fantasies in Fifty Shades of Grey. Yet when it comes to race-related matters (in the section "Race and Entertainment"), Gay’s writing is much more impassioned and persuasive. Whether critiquing problematic pandering tropes in Tyler Perry’s movies or the heavy-handed and often irresponsible way race is dealt with in movies like The Help, 12 Years a Slave or Django Unchained, Gay relentlessly picks apart mainstream depictions of the black experience on-screen and rightfully laments that “all too often critical acclaim for black films is built upon the altar of black suffering or subjugation.”
An occasionally brilliant, hit-or-miss grab bag of pop-culture criticism.Pub Date: Aug. 5, 2014
ISBN: 978-0-06-228271-2
Page Count: 336
Publisher: Perennial/HarperCollins
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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