Absorbing first-person narratives from a wide range of women, including the author, alternate with a somewhat prosaic analysis of the ramifications of being labeled a slut in adolescence. Journalist Tanenbaum’s first book offers up striking images of the cruelty of teenagers, both male and, more significantly, female, toward the girls whom they have labeled “sluts.” The author indicts the school systems that ignore or even condone such behavior. Her allegations that humiliation of the perceived other—in these cases young women with bad reputations—is alive and well in the American school system may come as no surprise, but her depiction of its various manifestations, ranging from taunting in the cafeteria to rape in a stairwell, is shocking to anyone who thinks of school as a haven from violence. The strength of Tanenbaum’s book lies in the accounts of her interviewees, many of whom attribute their confidence today to what they suffered in their youth. As one woman recounts: “Learning to be an outsider is important, because an awful lot of people in the world are outsiders. I learned to be alone. I learned to use my head in more complex ways than I would have been able to otherwise.” The key point that the book illustrates is how little American society of the 20th century has changed when it comes to condemning women for attempting sexual parity with men. Though the definition of what constitutes sluttiness has shifted over the years, the similarities in the interviews of “sluts” of the 1950s and their contemporary counterparts are sobering and sad. Most often cogently written, the book bogs down toward the end when Tanenbaum abandons analysis for prescription, offering pablum like “For real changes to occur, girls need to change the way they relate to one another.” You haven—t come as far as you thought, baby.
Pub Date: May 20, 1999
ISBN: 1-888363-94-0
Page Count: 288
Publisher: Seven Stories
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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