Engagingly links the jazz saxophone with its European roots.
This collaboration spotlights the saxophone’s European birth and wide adoption by American jazz musicians.
Adolphe Sax, a 19th-century Belgian instrument maker’s son, both plays and invents instruments. Searching for a new sound—softer than a trumpet, louder than a clarinet—Adolphe tinkers and reassembles until his masterpiece is ready. Belgium’s arbiters reject the new instrument, and Adolphe moves to Paris. While French tastemakers initially pan it, the composer Hector Berlioz champions “le saxophon,” opining, “It cries, sighs, and dreams.” After hard-won integration into French military bands, other European nations adopt it, too. Napoleon III loses France’s war in Mexico accompanied by the instrument’s wails. Florencio Ramos, a musician in a Mexican cavalry band, obtains a sax and settles in New Orleans in 1884. The signature sound of the rechristened “saxophone” spreads there and beyond, inseparable from jazz’s early permutations. (Cline-Ransome avers that after Sidney Bechet picks up the sax, he forsakes his clarinet.) A final spread summarizes jazz’s singular predisposition to musical contagion: “Coleman Hawkins heard Sidney play. / And Lester Young heard Coleman play. / And Charlie Parker heard Lester play.” While the anecdotal narrative adroitly portrays Sax’s perseverance as an innovator, the segue to American jazz gets shorter shrift. Cline-Ransome admirably amends this: Endpapers, a jacket poster, and spot illustrations celebrate over 20 diverse saxophone greats. Rich, sepia-toned spreads showcase the saxophone’s shining complexity.
Engagingly links the jazz saxophone with its European roots. (Informational picture book. 4-8)Pub Date: Feb. 28, 2023
ISBN: 978-0-8234-3702-3
Page Count: 40
Publisher: Holiday House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
A lyrical and educational look at the water cycle.
Through many types of weather and the different seasons, water tells readers about its many forms.
“Sometimes I’m the rain cloud / and sometimes I’m the rain.” Water can make rainbows and can appear to be different colors. Water is a waterfall, a wave, an ocean swell, a frozen pond, the snow on your nose, a cloud, frost, a comet, a part of you. Throughout, Paterson’s rhyming verses evoke images of their own: “Soon the summer sun is back / and warms me with its rays. / I rise in rumbling thunderheads / like castles in the haze,” though at times word order seems to have been chosen for rhyme rather than meaning (“In fall I sink into a fog / and blanket chilly fields, / with pumpkins touched by morning frost / the harvest season yields”). Backmatter includes a diagram of the water cycle that introduces and describes each step with solid vocabulary, including “Collection” as a step in the process; “The Science Behind the Poetry,” which unpacks some of the poetic language and phrases; some water activities and explorations; conservation tips; and a list of other books from the publisher about water. Paterson’s full- and double-page–spread illustrations are just as magical as his verse, showing water in its many forms from afar and close up. Few people appear on his pages, but the vast majority of those are people of color.
A lyrical and educational look at the water cycle. (Informational picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-1-58469-615-5
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
BOOK REVIEW
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