Next book

LENIN’S PRIVATE WAR

THE VOYAGE OF THE PHILOSOPHY STEAMER AND THE EXILE OF THE INTELLIGENTSIA

Readers of Solzhenitsyn, Nabokov and other exiles may not know of these figures, many of whom are obscure even to Russians....

Companion to Chamberlain’s Motherland: A Philosophical History of Russia (2007, etc.) detailing the Bolshevik suppression of non- and anti-Bolshevik intellectuals.

Lenin, no enemy of intellectuals as such, was at least good enough to send his philosophical opponents into exile, even some who had supported the Whites in the bloody Civil War; by the time Stalin came to power, the exile was to the Siberian gulag or the grave. But it is true, as Chamberlain reveals, that Lenin had developed a rather particular hit list by the summer of 1922, including professors, physicians, writers and especially “Petrograd writers” and “Anti-Soviet agronomists and cooperatists.” Chamberlain catalogues Lenin’s quarry, most from Moscow and St. Petersburg. One was the Christian philosopher Nikolai Berdyaev, who considered himself a socialist and whose sin of commission was, writes Chamberlain, that he “spoke for something decent and good, at once radically modern and medieval, and he was wise about Russia.” Not so Lenin, who sent Berdyaev and many other Orthodox thinkers out of the country on a slow steamer out of Kronstadt, off into exile to places such as Prague, Berlin and Paris. Some were taken decades later by the Red Army and went to the gulag after all; most, such as Berdyaev, died without ever seeing Russia again. Surprisingly, one of Lenin’s targets, the novelist Evgeny Zamyatin (We), “avoided deportation in 1922 but left with permission from Stalin in 1931.” Almost all of the exiles continued their scholarly and literary work, writing at difficulty and at a distance from their sources; if anything, their stature as critics of the Soviet regime was furthered and enhanced by being outside the country and free to speak.

Readers of Solzhenitsyn, Nabokov and other exiles may not know of these figures, many of whom are obscure even to Russians. Though the story is but a footnote to history, Chamberlain makes good work of it.

Pub Date: Aug. 1, 2007

ISBN: 978-0-312-36730-5

Page Count: 432

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview